Practicing Yes by Evey McKellar

On the improv stage, yes can transform two chairs and an empty stage into an imaginative scene of relationship and impossibility. With one audience suggestion, soon comes an encounter of a famous baby doing a book-signing, a law student in relationship with a cursed sorting hat, a couple arguing about giving birth to an avocado.

On stage, yes nurtures the fantastic and bizarre, the silly and playful and ridiculous.

Off stage, yes steps into the beauty, messiness, playfulness, and adventure of life. Yes embraces wonder, responding to the invitation into the fullness of life.

Yes can transform an experience, turning the mundane into magical.

Yes can turn acquaintance into friend.

Yes can unlock someone from a stereotype into story.

I am not referring to the yes that discards a healthy set of boundaries and balance in life, the yes that over-commits or acquiesces. The improv stage teaches us to practice yes, so that we can add it to our repertoire of healthy and necessary ‘no’.

I am talking about the yes that leans into adventure and possibility, into new endeavors and a willingness to discover, the yes that knows that life is constant growing and learning.

I am talking about the yes of being internally rooted, without of fear trying something unfamiliar or awkward.

I am talking about the yes that has space for someone else’s contribution and ownership, a yes that invites creativity and does not fear failure.

Veteran DCH performer and teacher, Kyle Austin, says the following: “People thrive when they feel supported. Next time you find yourself in a situation and someone presents an idea - say yes, and watch their face. Watch their eyes. Their posture will change, their tone will get louder, and you will feel the energy in the room change. They will get more passionate, and you will witness them moving into vulnerability, into more energy.”

It is a beautiful and important thing that we learn how to say authentic yeses to each other. Even if we need to adjust them later down the road in clarity or details, that initial yes is important.

Know this: that initial yes is not actually to the idea, it is to the person offering their voice.

In Writing Down the Bones, Natalie Goldberg nurtures budding writers, “Our task is to say a yes to the real things of our life as they exist -- the real truth of who we are… to become [those] who accept things as they are, come to love the details, and step forward with a yes on our lips so there can be no more noes ... that invalidate life and stop these details from continuing."

The yes learned on the stage of improv is a yes that invites life instead of invalidating it, making space for details and dreams, stories and surprise.

Practicing yes equips us to venture out into life with a tenacity and innovation that heals despair, repairs hope, and invites the soul to imagine. We say yes to courage and possibility. Practicing yes encourages us to welcome one another and build together as we go. We are practicing yes upon that stage so that we might invite each other into spaces of invention and invitation, and so that we might say yes more wholeheartedly to the road ahead of us and the abundance within us.

Evey McKellar is a Level 3 Improv student, a writer and UMC clergy. She works for a nonprofit, lives in Dallas, and loves Cane Rosso.