An exclusive sit down with the creators of the new sketch comedy show Stand By She.
Each Friday, DCH performers, teachers, and students offer their recommendations for what to watch, read, see, hear, or experience. This week David Allison travels the information superhighway, Amanda Hahn pines for Europe, Jonda Robinson dances in her car, and Ryan Callahan revisits a description of violence. You guys and gals should check out the popular world wide website named http://www.reddit.com. If you’re unfamiliar with it, please start here.
Reddit is comprised of many popular subreddits (Communities) that normal, well adjusted people would enjoy. There are also less popular subreddits that cater to internet weirdos that believe sitting on balloons to be sex. One of the pages that falls somewhere in the middle is r/behindthegifs. And this week that page is, let’s all say it at the same time, WHAT I’M LOVIN’ [Insert raucous cheering].
.Gifs are tiny moving pictures that look grainy and normally involve a dog (This is the world champion). Part of the appeal of a good .gif is that there is no context. A funny video is chopped down to like four seconds, sound is eliminated, and it never stops. r/behindthegifs takes the best abrupt clips and adds an absurd backstory.
You should check out the entire subreddit, but here are some of my favorites that I’ve discovered so far.
- Current winner.
- Me at every dinner with strangers and most dinners with friends.
- The one that started it all.
There are a trillion great ones, so please check out the subreddit and comment with your favorites. Let’s create a community of people appreciating this internet community! - David Allison
I love street musicians. I love walking through a park and hearing an acoustic guitar in the distance. On the rare occasion I take public transportation, I love waiting at the stop with a sultry singer banging out a rendition of Summertime. It’s something I rarely hear in Dallas. I hadn’t noticed the lack of street music here until I recently traveled to a popular world continent named Europe. If you’re unfamiliar with it, start here.
Almost every time I stepped out of anywhere to go from point A to point B, I would bump into one or more people performing. Performances ranged from one man and a guitar to a band of young drummers. They’re not always the most talented people, but it’s heartwarming to watch someone do something that they love to do. The only times I can think of that I have thought to myself, “I wish I loved anything as much as that person loves doing what they’re doing” have been when watching someone sing or play an instrument. Street musicians allow me to get up-close and really watch them love what they’re doing. I put some of the musicians I enjoyed watching the most in a playlist that I watch whenever I miss eating gelato and people watching on the steps of an old cathedral.
But this doesn’t have to be something that I miss! Or that any of us miss! So this week, I am putting out a call to action. Musicians of Dallas: Take to the streets! Find a park, find a bench, find a tunnel, an alleyway, a corner, a roof – wherever! Play for us. Please. Play a little soundtrack for our lives. Let us watch you do what you love. We’ll love you even more for it. - Amanda Hahn
This summer has found me spending a good amount of time in my car, traveling here and there. My favorite thing to do while driving is put on some good music, sing along at the top of my lungs, and, when the song calls for it, do just enough car dancing to make other drivers wish they were having as much fun. Lately I’ve had a variety of artists riding shotgun, from Loretta Lynn telling me that I’m not woman enough to take her man (she’s right; I’m not) to Vampire Weekend asking who really cares about an Oxford comma (I do, guys! Use it!). One artist who I keep returning to, though, is Jason Isbell and his album Southeastern. With today’s music, it’s usually hard for me to find an album that I enjoy from beginning to end, but Isbell’s stands out because it’s consistently good. It’s got an Americana/Country sound to it, and it showcases his ability as a songwriter. My hands-down favorite song on the album is “Elephant.” I highly recommend you give it a listen, but I’m also giving you a warning: It’s heavy, it’s haunting, and it’s a heart-breakingly beautiful ride. “Traveling Alone,” “Cover Me Up,” and “Different Days” are some of my favorites as well, and “Super 8” is a fun, upbeat track. Overall, Isbell’s weighty lyrics and stories have been just the break I needed from the sugary summer anthems that radio stations have on heavy rotation.
Next time you’re roadtripping or just stuck in traffic, I highly recommend you crank up whatever your current jam is, sing it like you mean it, and car dance like no one is watching. But trust me, other drivers will be watching--and they’ll be wishing they were half as cool as you. - Jonda Robinson
As I've mentioned once or twice, I'm a big fan of crime novels. This week I dove into the works of French crime novelist Jean-Patrick Manchette. I was introduced to Manchette thanks to the New York Review Books Classic series. His first solo crime novel, The Mad and the Bad was the July selection for the NYRB Classics subscription series. The novel tells the tale of a immoral industrialist, the mentally unstable woman he hires to babysit his nephew, and the professional hit man he hires to murder them both. I devoured the novel in two sittings. Not the most impressive feat; the book runs about 150 pages.
After reading The Mad and the Bad, I tore through two other Manchette books: Fatale, the story of a cold-blooded blackmailer and murderess who grows tired of her lifestyle, and The Prone Gunman, about a CIA hit man and his disastrous attempt to return Gatsby-like to his hometown and reclaim his long lost love. Like The Mad and the Bad, both novels are short and well worth your time.
I consider Manchette a kindred spirit with American crime master Jim Thompson (The Killer Inside Me, The Grifters). Both write with a lean, straightforward style that perfectly captures the pitch black comedy of their borderline absurd situations. Manchette's characters are broken people doing bad things, unable and unwilling to stop themselves. Like all great noir, his characters are on a one way journey to the abyss, and they have a sense of humor about their fate.
Manchette's terse, propulsive style creates some of the finest action sequences I have ever read. There is one particularly impressive sequence in The Mad and the Bad. A confrontation in a department store leads to some impromptu arson leads to a bloody shootout in the street. I found myself rereading the passage over and over again.
Reading those Manchette books had me so jazzed, so in love with the possibilities of the crime novel. It is my favorite genre, by far. After finishing those books, I found myself stuck on what to read next. Ultimately I settled on tackling an author I have long neglected, Raymond Chandler. You can expect to read more about him next week. - Ryan Callahan