Donald Glover

What We're Loving: Comeback Stories, Little Lord Legs, Michael McDonald Deep Cuts, DCF14

DCH_what we're loving_3_14_14Each Friday, DCH performers, teachers, and students offer their recommendations for what to watch, read, see, hear, or experience. This week Julia Cotton speaks to the self-loathing narcissist in us all, Ashley Bright needs tiny legs, David Allison makes a That's My Bush reference, and Ryan Callahan shamelessly plugs his own work. 369Dan Harmon is the genius that introduced me to the love of my life, Donald Glover, by creating an awesome show called Community. Around Season 2, I found myself listening to every interview he did and then consuming everything he’d ever created. I could tell that he was a person who absolutely cared about humanity, honesty, harmony, and 'Harmon’. He was clearly a narcissist while simultaneously being very self loathing. It’s a personality combination that can lead one to often feel very isolated, often be misunderstood, and often get fired.

When he was fired from Community, I was heartbroken. I’d become so dependent on his voice that I felt a little more lonely and weirdly… rejected. It was like whoever fired him had also fired me.

Luckily, he began the Harmontown podcast. It is premised as a town hall meeting to plan the founding of a colony of like minded misfits. The question is ‘What do we need to form a functional society?’ The podcast features some improv, made up songs, and freestyle raps (that are clearly performed by a white dude in his 40s that is NOT named Eminem). There are many special guests (Bobcat Goldthwait, Robin Williams, Jon Oliver, Mitchell Hurwitz, frequently Kumail Nanjiani). Around episode 6, it was decided that each show would culminate with a game of Dungeons and Dragons (see Community S2:14). In that episode we are introduced to Spencer Crittenden - an audience member randomly chosen to be Dungeon Master.

Harmontown went on the road and was filmed. It documents Dan’s journey which ultimately leads him right back into the arms of his lost love (Community season 5!). It also chronicles him and his girlfriend going through relationship woes and eventually becoming engaged. Harmon suggests that perhaps the most interesting story is that of Dungeon Master Spencer as he takes an unexpected journey into celebrity.

The documentary really highlights Dan Harmon’s effect on the people who call ourselves “Harmenians”. What we have in common is this feeling of never quite “fitting in” and often feeling misunderstood and rejected. Dan Harmon has shown us how to take those feelings, and fuse them into creativity.

You can check out the trailer here. - Julia Cotton

Nigel-Lindsay-as-Shrek-and-Nigel-Harman-as-Lord-Farquaad-in-Shrek-The-Musical.-Photo-by-Brinkhoff-MögenburgI've had one of those go-go-go weeks, where I didn't make adequate media absorption time for myself. I did watch the True Detective finale, but so did everyone else and their dog. Dogs love Rust Cohle. I watched some more Sopranos, but I dabbled on that topic last week. I did have a Gilmore Girls watching evening with Mr. Terry Catlett. No, I won't be sharing the joys of Stars Hollow with you. In fact, I'm going to use this forum to ask you to share something with me. Let me explain. You may not know this, but TC (Terry Catlett for some of this entry) is a big fan of musicals. After watching Rory move into her dorm at Yale, we watched Shrek on Broadway on Netflix. I can't lie; I didn't really dig it, although there were some very inspiring stage setups. Here's what I did love: TC was absolutely tickled by Lord Farquaad's tiny legs. I had a giggle fit just watching him have a giggle fit. I've tried searching for more big bodies with tiny leg gags, and I've come up with nothing except for some unfortunate real-life body disfigurement. I saw some stuff I can't unsee. So, first, I'm asking for any videos of a similar tiny leg gag so that we can all continue giggling. Be careful on your search; I'm telling you there is stuff out there that will burn onto your eyes. Second, and more importantly, can someone help me make some tiny legs for Terry? I can provide materials and I'll do the legwork (pun!), but I need some help figuring out how to make them functional with bending knees. I should note that I cannot sew. I'm not sure if that's important. - Ashley Bright south-park-the-movie-back-cover-98981I love alliteration! In celebration of that fact, I’m creating “Movie Soundtrack March” to showcase great comedy soundtracks that go underappreciated. The only rule for my weekly pick is that the soundtrack has to mostly be comprised of original music.

Trey Parker and Matt Stone are geniuses. You know that. The problem is that they’ve created so many amazing things (South Park, Team America: World Police, Cannibal, Orgazmo, BASEketball, Book of Mormon) people tend to lose track of things. Heck, just by attempting to create a list of their work, I’m sure that I’ll get critiqued because I forgot something random, like That’s my Bush. It happens when two people create such a consistent collection. Because of that, I’m going to highlight my favorite piece that they did, a soundtrack that they don’t get nearly enough respect for; South Park: Bigger, Longer and Uncut.

The movie was the first time that South Park began to receive acclaim as something more than a show that gets by on the shock value of kids not acting like kids and the quality of each musical number was a big reason. For starters, you’ve got “La Resistance” and “Up There,” which are fantastic parodies of “Do you hear the people sing?” (Les Miserables) and “Part of your world” (Little Mermaid) respectively. Next, check out Big Gay Al’s one man show stopper “I’m super” and be reminded that people used to shop at Mervyn’s (And reference it in song!). Still not convinced? Well let me remind you that MICHAEL MCDONALD CREATED AN ORIGINAL SONG FOR THE ALBUM. Midway through the track, he just starts advertising his friend Keith’s car detailing business. Yes, not every track on the album is great, but there are so many gems that it is well worth revisiting. - David Allison

14517_10152631209974056_1575422524_nI'm loving many things the week: The Daniel Bryan angle on RAW Monday, learning that Night Hawk is a non-fictional producer of Salisbury steaks, watching my girlfriend watch Game of Thrones, (What!), but most of all I'm loving the anticipation for The Dallas Comedy Festival. This is my first festival and my first experience with the heightened intensity, the crackling energy in the air, the camaraderie as the DCH team hustles together to get ready. I'd call it the Super Bowl of Comedy, but that would probably get me sued, so I'll call it the SuperWrestlemaniaFinalsCup in Memory of David Von Erich of Comedy to be safe. Man, it really feels like the SuperWrestlemaniaFinalsCup in Memory of David Von Eric of COmedy around here this week! There's so much going on.

The Dallas Observer wrote about out "pretty killer" lineup, (quotes means you aren't bragging,) while the Dallas Voice was struck by the strong bonds formed at DCH.

Jason Hensel and I had the opportunity to speak with some of the talented men and women who will be performing at the festival. If you're a comedy nerd you'll appreciate the many discussions on craft and technique. If you're not a comedy nerd you are clearly in the wrong place and horribly confused. Take a deep breath and back away from your computer.

Comedy nerds, get to know some folks a little better:

- Executive Branch - Saffy Herndon - Gramt Redmond - Christian Hughes - Rob Christemsem - ZOOM! - Susan Messing - And more to come next week!

By the way, I'm still loving Rick Ross. Guys, it might be serious. - Ryan Callahan

What We're Loving: Kid Detectives, Inspirational Humans, Dead Men Fighting, British Conversations

CommunityEvery Friday, DCH performers, teachers and students offer their recommendations for things to watch, read, see, hear or experience. This week David Allison suggests a tip to Hulu, Sarah Wyatt spreads the gospel, Ryan Callahan finds stories that keep him up at night, and Nick Scott has his  preconceptions shattered. Thursday night, NBC will air Donald Glover’s last episode of Community. Cue crying montageEven though he’s just thirty years old, Glover has an incredibly diverse career that many comedy fans may not fully be aware of. He’s showed off his ability to rap on Community and under the moniker Childish Gambino. He’s written for 30 Rock, (and provided the occasional cameo). And, along with the Derrick Comedy members DC Peirson and Dominic Dierkes, created a series of fantastic sketches that tackle issues like werewolves in radio stations and Bro Rape.

Mystery TeamI’m going to assume that everyone is watching Community, so my recommendation this week is a great movie called Mystery Team. After hitting it “Internet big” a number of years ago, Derrick Comedy took a step back, pooled their resources and decided to make a movie.  The film follows the story of  three kid detectives that have grown into high schoolers, but refuse to give up their investigative hobby. I love their ability to play the dumbest characters (Peirson plays a trivia braniac, Dierkes a strong man and Glover a master of disguise) in very real situations. Also, it has some great support lent by Jon Daly (Rafflecast and Kroll Show) and Bobby Moynihan (SNL). Moynihan steals every scene he's in. The entire film is fantastic and necessary viewing for comedy fans, especially because it’s free on Hulu. - David Allison

Andy DalyAndy Daly is the funniest guy I know. We’ve never met but I feel like he would be cool with me saying that. You probably know him best from his stint on MADtv back in the day, but he is so much more than that. Andy Daly is killing it in the comedy game. He is everything I aspire to be as an improviser, comedian and human being. He is a great listener, he always follows the fun of a scene, his characters are off the hook and he just seems like a genuinely great person. He has a new show, Review, set to debut on Comedy Central this spring, one day after my birthday. He also has a new podcast, The Andy Daly Podcast Pilot Project, debuting in February that promises to be truly amazing. This podcast came about because of his amazing characters on the Comedy Bang Bang podcast. Cactus Tony, Chip Gardner and Don Dimello are just a few of his creations that I urge you to do yourself a favor and listen to immediately. I have never laughed so hard by myself than I did while listening to the Cactus Tony episode of Comedy Bang Bang. Daly is also wonderful and underrated as Principal Cutler on Eastbound & Down. I hope this post reaches every corner of the globe because people need to know the comedic gold that is Andy Daly, and I am happy to spread that gospel. Daly is about to blow up, and he would totally be OK with me saying that. - Sarah Wyatt 

McSweeney's 45McSweeney's Quarterly Concern Volume 45: Hitchcock and Bradbury Fight in Heaven is catnip for short-story lovers like me. Inspired by two anthologies—one edited by Alfred Hitchcock, one by Ray Bradbury—which McSweeney's Editor Dave Eggers found at used-book sales, this collection features a fine mix of old sci-fi and mystery/suspense stories, from the obscure but brilliant (Julian May's Dune Roller) to the often-anthologized and brilliant (John Cheever's The Enormous Radio) to the simply brilliant (Franz Kafka's In The Penal Colony). With the exception of new stories from Brian Evenson, China Melville, Benjamin Percy and E. Lily Lu, everything  in this issue was pulled from anthologies edited by Bradbury or Hitchcock in the 1930's, 40's or 50's. Also included, and of particular delight, are the original introductions. Hitchcock's introduction is predictably brief and droll and familiar in tone to his TV intros, while Bradbury's is a hidden little gem, a paean to the revitalizing powers of stories, which offer the reader "that sense of living on the margin of impossibility." Once I opened this compendium of classic tales, I found it nigh impossible to put down, and I continued reading and reading late into the night, repeatedly convincing myself that I could read one more story before bed, just one more. - Ryan Callahan

the_trip_poster01Watching two moderately known British actor/comedians eat a series of meals throughout the English countryside doesn't seem like that great of a concept for a TV show or movie. At least that's what I thought until I saw The Trip. Originally a television mini-series on the BBC, in 2010 it was re-edited into a single feature-length movie for American audiences. The movie stars Steve Coogan and Rob Brydon as exagerrated versions of themselves, hired to travel to multiple fancy restaurants throughout northern England. The two spend most of the meals doing their excellent celebrity impressions and riffing on pop culture, but the movie also explores Coogan's character's inflated sense of self and struggle to be a good father, as well as Brydon's desire to be at home with his family rather than out doing celebrity things. But it's the chemistry between the two that makes the movie/show work.

Outside of perhaps remembering his part as the Director in Tropic Thunder or as the lead role in Hamlet 2, some of you may be hearing of Steve Coogan for the first time recently, as he was nominated for Best Adapted Screenplay for Philomena in this year's Academy Awards. In my list of comedic heroes, Coogan is pretty high up there. I've watched just about everything he's done, including some unfortunate movie choices. Anything featuring his Alan Partridge character is a must watch. All of his talents are on display in The Trip, and it's interesting to see him, even fictionally, comment on his career. Brydon I was only familiar with thanks to Tristram Shandy: A Cock and Bull Story (also starring Coogan and directed by Michael Winterbottom, who also directed The Trip), but all it took was watching him share one meal with Coogan and I was on board. I would say more about the movie, but it would it would be as entertaining as having someone describe someone's impression or joke later. Better to just watch. And if you can, I highly recommend finding the original BBC show, as much was cut out before releasing it as a film for American audiences. RUNNER UP PICK: The 9/11 Commission Report - Nick Scott