Iron Man

Guardians of the Galaxy, a Most Unlikely Blockbuster

By Mike Corbett This weekend Marvel’s Guardians of the Galaxy film grossed 94 million dollars, shattering the record for biggest August opening and easily becoming the number one movie in the country. At a quick glance, this seems like it would have been expected, it’s a Marvel Studios film, distributed by Disney, and every single one of those has made several boatloads of money. However, a closer look will show that this film was anything but a sure thing, and its success is actually kind of mind blowing.

Don't recognize anyone? No one does.

Prior to the publicity blitz the film received, the Guardians of the Galaxy were a relatively unknown property. Unlike pretty much every other comic book film created thus far, these weren’t famous characters with decades of stories to draw from. This version of the Guardians of the Galaxy debuted in comics in 2008, spinning out of Marvel’s Annihilation event, a two year long epic story featuring a bunch of alien characters you’ve probably never heard of. But surely fans warmed quickly to these characters and they’ve had a long running series since then, right? Nope, the series was cancelled after seventeen issues. Yet for some reason, Marvel announced plans to make a film based on the characters. Do you know how long Iron Man was around before anyone bothered to make a movie based on him? Forty five years!   The Avengers were around for forty nine years before they got their film, and it took four years and five other films to build up to that point. These Guardians of the Galaxy existed for barely two years, got cancelled and still their film pulled in 94 million dollars in its opening weekend. Maybe you can chalk this box office triumph to Disney and Marvel knowing how to market their products, or the blood sacrifices they make to Satan, but even that doesn’t fully explain the film’s success.   This is not just simply a film full of characters you’ve never heard of, it’s full of weird characters you’ve never heard of.

Arguably the two biggest stars in this film are Bradley Cooper and Vin Diesel. Do you know how much screen time those actors get? Zero, zilch, none, you won’t see them for a single second, because they’re only there to lend their voices to a talking, gun toting raccoon, and a walking tree that can only say a single phrase. Go ahead, read that last sentence again; does that give you a clearer picture of how amazing this film’s success is? That raccoon, Rocket, and that tree, Groot, join up with Star-Lord, played by Chris Pratt, in his first starring role, Gamora, portrayed by green painted Zoe Saldana, and Drax the Destroyer, played by former WWE Champion and inexperienced film actor Dave Bautista. Their adventure takes place entirely in deep space, at a bunch of locales you’ve never heard of and it’s all directed by James Gunn, whose notable film credits include the indie superhero comedy Super, and the gross out horror comedy Slither. This is not the recipe for a summer blockbuster, much less a record breaking one, and yet that’s exactly what happened.

Oh, you’re going to watch a talking tree and a talking raccoon, and you’re going to love them.

Against all traditional logic, Guardians of the Galaxy has become a smash hit. In a world where, not too long ago, people were skeptical of whether or not a Batman film could be a hit, it’s an incredibly impressive feat. Yes, a lot of the praise should be given to the marketing arms of Disney and Marvel for doing such a good job promoting the film, but don’t sleep on the film itself. It’s a great movie; it’s got humor, heart and action. It may be a weird space opera full of talking raccoons and walking trees, but it stands shoulder to shoulder with every other film that Marvel has released thus far. If you had any doubts about this film, there were entirely reasonable, but I’m happy to report they’re entirely unfounded. Cast those doubts aside and go see the movie, because through either witchcraft, human sacrifices, or maybe just some magic from that famous mouse, Marvel and Disney have done it again.

Who are we kidding? It was definitely through witchcraft or human sacrifices.

Mike Corbett is a level 3 sketch writing student and intern for the DCH blog. You can find more about Mike HERE. 

 

 

What We're Loving: Single Use Acronyms, Suicide Prevention, An Abundance of Body Oil

dch_what we're loving_02_28_2014Each Friday, DCH performers, teachers, and students offer their recommendations for what to watch, read, see, hear, or experience. This week Ashley Bright cries alone, David Allison shapes pop culture, and Ryan Callahan will never sleep again.

 

This_american_lifeThis week I listened to the latest episode of This American Life. It's been awhile since I've listened, but I've been a fan of the show for many years. This week, while I sat at my desk alone, I listened and I laughed out loud and teared up. Alone at my desk. Typical This American Life listening for me. This latest episode is #518: "Except For That One Thing. "If you're not familiar with TAL (This American Life for the purpose of this this article only; if you approach me and say TAL outloud, it is unlikely I'll know what you're talking about), each episode has a common theme and each act fits into that theme. This episode features stories about things that are perfect Except For That One Thing. Act One is a radio drama based on a short story featured in B.J. Novak's book, One More Thing. It's about a perfect first date except that the fella is an African warlord. It's funny. Act Two is about how we could all be eating hippo meat instead of cows, if only the Internet was around a hundred years earlier. It's also funny, but this one's educational. Tig Notaro is featured in Act Three, so of course it's funny. And Act Four is when I cried. It's a really good episode. If you download the TAL app on your mobile device, you're able to save your favorite episodes, such as:  Episode 172: "24 Hours at the Golden Apple." That's a good one. Each act of this episode is divided into time segments at a diner off Lincoln Ave. in Chicago. The people are diverse and the interviews are incredibly interesting and entertaining.  For those of you going to Chicago for the Improv Festival, listen to this episode. Listen to it on your way there. And then go to the Golden Apple. And then take a picture, post it, and tag me in it. Please and thank you. - Ashley Bright

gethard120402_560Quick follow up before I get to this week’s recommendation.  A few posts ago, I discussed one of my favorite new shows, Broad City. Due exclusively, I think, to that post, Broad City got renewed for a second season.  Let’s keep changing the world!

Anyone that follows pop culture has a couple of favorites.  Maybe it’s a celebrity that shares a similar set of morals.  Or it might be someone that makes great decisions on what projects to take. Or maybe this person comes across as cool in interviews.  Why we like certain famous people varies greatly, but we’ve all got a few who regardless of what project they take on, we’re going to follow. One of mine is Chris Gethard.

Chris Gethard is predominantly known for his New York Cable Access television program, though you might also know him from his book or improvisational career.  He performed The Chris Gethard Show at UCBNY until 2011, when he was introduced to the free world of Cable Access.  As long as the necessary paperwork is filled out, anyone can make a television show about anything, which is probably why his show is about everything.  The Chris Gethard Show doesn’t really seem to have a discernible structure or consistent format, except that he usually takes calls and is happy to showcase anyone’s talents.  The latter is what makes the show special to me.  It’s an hour of television that makes you feel like you can do anything, because everyone on screen is getting support for the dumbest thing or part of them that they don’t normally allow others to see.  This mindset extends well beyond the show because of Gethard’s interaction with viewers; the dude has literally saved people’s lives.  His post in response to anonymous fan on the verge of suicide is an inspiring piece that I try to look at a few times per year.  The Chris Gethard Show was recently given a pilot order, so they’re not currently doing a weekly episode, but here’s an archive of every episode they’ve ever done.  As I said earlier, everyone has a famous person they like, so search through the list and find one where Gethard interviews someone you know and appreciate, like Amy Poehler or Bobby Moynihan.  Soon enough, you’ll be addicted to the show and bemoaning the fact that there are only three Sandwich Nights. - David Allison

ric-flair-49ers-panthers-orderIt would be a lie to say that I'm loving anything else this week other than the WWE Network. Since its launch on Monday, the Network has consumed me. There are many stripes in the rainbow of pop culture which I cherish, (books, comedy, movies, Criterion Collection Blu-Rays,) but nothing ranks as high as professional wrestling. Now, before I continue, allow me to answer the question that you have in your head. Yes, I know pro wrestling is fake. Just like I know that Robert Downey, Jr. isn't really Iron Man. Just like I know that Westeros is not a real kingdom. Now that I've defensively answered your fictional, judgmental question, let’s move on. I have been a fan of wrestling for as long as I can remember. There's wasn't a first show that reeled me in, nor a single match that turned got me hooked. As far as I can tell, it was always there and I loved it. And I loved everything about it, not just the morality tale of good versus evil, where good will always triumph in the end, not just the fake sport aspect which allows for stories impossible in the real world, but everything about the show: the interviews, the characters, the entrances, the shows within the show. Only in the world of wrestling can a thing like Piper's Pit exist. Only in the world of pro wrestling can a person like Ric Flair exist. That alone is enough to justify the existence of pro wrestling. My life now has two distinct eras: The Before Network Era (B.N.) when life was gray and flat, each day filled with the dull ache of sameness, and The After Network Era, (A.N.) where life is vibrant and lush, each day ripe with joy and endless possibilities. I could watch pro wrestling 24 hours a day. Now I can. It's a godsend. The god in this case being Ric Flair. Woooo! - Ryan Callahan