troupe

Troupe Talk: Wiki Tikki Tabby

Wiki Tikki Tabby This troupe talk is dedicated to and written in loving memory of Jake Malnaughty.

If there’s one thing you should know about the Dallas Comedy House (DCH) troupe Wiki Tikki Tabby (see also Wikki Tiki Tabby, Wiki Tiki Tabbie, or Wifi Tiffy Tubby...spelling varies), it’s that first and foremost, member Byron Dow will do anything for free. And he means anything. In fact, he agreed to participate in this troupe talk for free. In addition, you name it, and Byron will also gladly f*** it or eat it, as long as he has the proper instruction to do so. Well, on one fateful day, the name Jake Malnaughty was whispered in hushed tones around the dark corners of DCH, as Dow was instructed to sacrifice the late great Malnaughty to the almighty gods of improv. Fortunately, the sacrifice appeased the gods, so they bestowed improv powers of passion, courage, whimsy, support, and bold choice-making upon Wiki Tikki Tabby. Thus, from that day forward, they were forever bonded in solidarity. Wiki Tikki Tabby (Emily Baudot, Byron Dow, Joe Halbouty, Houston Hardaway, Shawn Mayer, and Danielle Seright) is a troupe that always brings the unexpected, the outlandish, and the wildly creative to the stage. Like the love children of Lewis Carroll and Willy Wonka, a Wiki Tikki show is a delightfully trippy experience, full of laughs and lots of love for the craft and each other. It’s like a meticulously woven tapestry or an intricate mandala of colorful scenes that each seem bizarre on their own but somehow all come together in a mesmerizing and mind-blowing arrangement. A Wiki Tikki show is truly a one-of-a-kind...and probably would not be possible without the sacrifice of Jake Malnaughty.

Beyond Byron’s human sacrifice to the gods of improv, Jake Malnaughty may he rest in peace, how did Wiki Tikki Tabby originate?

Danielle: It was a cold, rainy day...

Emily: ...We were all in Level 3, and Byron came up to us, either together or separately, and he had this grand vision, and I think his vision was...(Byron starts grinning) well you know what, Byron, I don’t want to speak for you.

Byron: (Still grinning) No, go ahead.

Joe: Byron had a vision?

Shawn: Let’s all guess Byron’s grand vision. I got a text message like, “Hey, you wanna be in a troupe?” And I was like, “Yeah. OK.”

Byron: Yep, that’s actually the whole story.

Emily: Really? I got a face-to-face invitation.

Danielle: Darcy asked me.

Shawn: Wow. I got a text, man.

Byron: I was probably like, “Hey Darcy, can you ask Danielle?” I don’t think I knew you very well.

Emily: Then Byron said, “I think you guys will all play well together.” And I think we do. ...So that’s that story.

Houston: I agree. We all came up in the same levels together, not necessarily the same class. And we all had the same energy level and passion toward improv. We kind of just gravitated toward each other based on that and became friends that way.

Danielle: I knew who you all were, except for Joe really, but I guess we met at Jams and through interning and being at DCH all the time.

Houston: I knew you [Danielle] through interning.

Shawn: I had Danielle in my third level class, but I didn’t remember. When you [Danielle] came and talked to me after your open mic, I was like, “Who are you?”...in my head. But, now I know. I know your name.

Byron: What’s her name?

Shawn: Don’t put me on the spot.

Byron: Hey, you guys wanna make a troupe?

Houston: Yeah.

Joe: Yes.

Danielle: Yeah.

Emily: Yeah, that’s a good idea.

Shawn: We can form another troupe.

Byron: It’ll be Tikki Wiki. Reverse it.

Shawn: What would we do differently?

Houston: It would have to be everything opposite. Right?

Wiki Tikki Tabby

Speaking of Tikki Wiki’s and Wiki Tikki’s, where did the name Wiki Tikki Tabby come from?

Emily: Well, the original idea was that we were going to get a suggestion from the audience like...

Joe: ...Like, “What was the last Wikipedia page you visited?” And then we came up with the name based off of that...and then we dumped that idea.

Emily: Yeah, but we still kept this idea, or concept, of being on a Wikipedia page and clicking blue links until you’re like 3,000 steps away from where you started and still relate it somehow. I think we’ve still maintained that.

Houston: Well, we went through a bunch of “What should our name be?” and stuff like that, and I think it came from when we were in earlier levels, we were all interested in pushing boundaries and seeing other weird stuff we could do. What are some other formats and other weird things we can do that we haven’t been doing in class? And we thought, “Let’s do a Wikipedia thing for the suggestion.”

Danielle: I don’t know where the “Tabby” part came from?

Joe: Browser tabs, but we kept it as “Tabby” because someone made a bunch of posters of us with our faces on cats.

Houston: Also, I’m not sure any of us spell it the same. I think we all mess it up all the time.

Emily: That’s kind of like us, too, though. It’s [correct name spelling] not really a rule, more like a guideline. It’s a conceptual thing. I’m OK with that.

Since you guys took inspiration from the dark hole that is Wikipedia, what’s been the weirdest Wiki rabbit hole you’ve found yourself traveling down recently?

Emily: The Bell Tower.

Houston: Like the guy who shot people from the bell tower?

Joe: What?!

Emily: No! Jesus Christ!

Houston: Sorry! I didn’t know what we’re talking about! We were talking about Wikipedia rabbit holes, and then you said “The Bell Tower.” And I was like “What could be an article about a bell tower?”

Danielle: It was a scene. Did you forget our improv?

Emily: I was talking about a performance inspired by a Wikipedia thing. I’m sorry, I misunderstood the question.

Byron: Well, the last Wikipedia page I visited was an article about a torture device called the brazen bull.

Emily: Ooooh! I love that!

[All laugh]

Emily: Hold up. It’s a cool thing.

Byron: It’s a bronze bull, and you put someone inside it, and you heat it up, and basically...

Houston: They’re cooked inside.

Byron: And they get cooked. There’s also a horn that comes out of the bull’s mouth and as they’re getting cooked they start screaming...and it sounds like a bull. (making bull noises) I don’t know.

Is that what happened to Jake Malnaughty?

Emily: Well, that’s one thing that happened.

Byron: That is what happened to Jake Malnaughty.

Danielle: And then Byron ate him.

Byron: And then I ate him afterward, because they asked me too. I f***ed him, too. I got right up in there!

Joe: Before or after?

Houston: While he was in the bull?

Wiki Tikki Tabby

What’s Wiki Tikki’s style of improv? Do you guys have a format?

Houston: We’ve kind of evolved. We were trying to incorporate a bunch of different styles into one, but now, I think our main focus is having organic, playful shows and going wherever it takes us. Not placing any restrictions on ourselves.

Byron: It’s like Alice in Wonderland going down the rabbit hole. That’s how we like to view it.

Emily: Exactly. It’s like Alice in Wonderland meets Donnie Darko meets I don’t know...

Byron: ...A drug trip?

Emily: Is that pretentious?

Joe: Very pretentious, but that’s what we’re about.

Byron: I’m totally cool with being pretentious. I think it’s hilarious.

Shawn: We’re pretentious meets...

Joe: ...Mongooses. Or is it Mongeese? How do you pluralize “Mongoose?”

Emily: Mongeese. I’m pretty sure.

Houston: I hope it’s “mongooses,” because that sounds stupid.

Shawn: Couldn’t the plural and the singular just be the same?

Byron: Yeah, it could. But what if it was like “Duogooses?” Like you got two of them?

Houston: (Googling) The plural form is “mongooses” or rarely “mongeese.”

Emily: So once again, as is the usual, both Joe and I were correct.

Houston: Oooh a group of “mongeese” is called a “mob.”

Byron: Anyway, I think, and we’ve kind of all talked about this, we do scenes and we do super organic stuff. I have this challenging question: “Can you do a successful improv show without doing any scenes?” Non-scenic improvising. So, can we make the parts where we’re not in a normal scene more interesting?

Houston: I think it’s interesting with our group evolving because we’ve been trying to figure out what we want to do as a group. And Byron was gone in Chicago for a little while, and then we had some group changes, so now we’ve been trying to get back on our feet and figure out what direction to go in. I think Danny has been really helpful in pointing out, “Here’s things that seem fun that you’re already doing, so here’s the direction you might want to go.”

Byron: Shawn describes our style being like a dream.

Shawn: A fever dream.

Byron: A fever dream. It’s very weird. If you try and recall your dreams, they’re strange and weird things are happening, but they’re sometimes connected. You can go from one place and then have it magically transform into another place.

Shawn: Sometimes you can remember dreams exactly and recount it to somebody, but other times you can be like, “I was talking to my mom, but she had my dad’s face...and popcorn kept falling out of her mouth.” And I think that could be a scene. I’m cool with that.

Houston: I think we definitely have a stream of consciousness type vibe, where we’re using the show to build on each other and connect the dots. And wherever it's fun, we’ll follow that.

Byron: My favorite thing about a Wiki show is that it’s out there, it’s pretty unique, and we take a lot of risks.

Joe: I think it works pretty well...except when we forget we can edit.

Houston: That did happen. We had a 30-35 minute mono-scene once...I don’t know if it was really that long, but it felt that long. It wasn’t until the end of the show that someone edited and I was like, “Oh yeah! We can edit!” ...Anyways, to answer your question, I don’t think there’s a name for our format, but we take what we have and build on it.

Emily: I think we joked around calling it [our format] “Fever Dream Machine” at one point. Or some iteration of that, I guess.

Byron: I think it’s closer related to a Courtesy Sleeve. It’s very similar in that we follow rabbit holes down to interesting, unique scenes. Our scenes are out there, but they’re cool.

Wiki Tikki Tabby

What do you dig about performing with each of your fellow Tabbies?

Houston: Joe, I love that you are always super patient in scenes, which is something I’m not good at. You always have such witty things to say. You have some one-liners, where I’m just like, “Motherf***er! Damn you, that’s really good.”

Emily: (to Joe) Quality just leaks out of your mouth. I don’t know how you do it. Well, probably because you don’t just say the first thing that pops into your head.

Joe: (Wiping the quality from his lips) Is the quality still there?

Emily: Yeah, I don’t think you’re ever going to get rid of it.

Joe: I’m sorry. I probably need a handkerchief.

Byron: You [Joe] probably have an economy of words that’s like better than a lot of other performers. Like you choose words carefully.

Danielle: You got good words, Joe.

Houston: And you know when to say them.

Joe: Rad.

Emily: Houston is like a little pinball...

Danielle: Set on fire.

Joe: Or a super ball that you bounce and it goes higher and it shoots off all the walls.

Danielle: And is set on fire.

Emily: But not the shitty kind [of super ball] you get at Chucky Cheese, but like the good kind you get at Dave & Buster’s.

Shawn: I was thinking Houston is like a wet noodle covered in cocaine.

Danielle: Set on fire.

Joe: I would say he’s al dente.

Danielle: Yeah, cooked, not wet.

Byron: I don’t have any clever analogies, but I just love Houston’s use of emotion. I think it’s better than a lot of other performers out there. You’re not afraid to make something.

Joe: You’re really good at angst.

Danielle: Taps out like a motherf***er.

Emily: You’re an edit ninja.

Byron: I like Shawn’s analogy best about you, though.

Shawn: Oh, and he can mirror anything. (Houston mirroring) He’s that! He’s you!

Houston: Danielle, you always think of these really funny, goofy things that I would never think of. Whenever you’re on stage, I’m super excited to see what you’re going to say and what you’re going to do. You’re just so good. I’m always excited to see what happens.

Emily: When I go out into a scene with Danielle, I know it’s going to be a good time. I’m not worried about anything. Sometimes you go in to play with somebody and you get anxious because you’re trying to figure out what to say to them, but with Danielle it’s very natural, and I’m just like “Thank you!” You’re very grounded energy-wise.

Houston: You have great physicality, too. And you always surprise me with your choices. There was one time in class you had a scene with Joe, and you didn’t like the drink he had, and you just straight up poured it out. Like I would never think to make that choice, and it was such a great choice.

Shawn: I don’t know what to expect.

Byron: Yeah! Surprising, most definitely. A little goofster!

Shawn: Your face during the show-and-tell bit during the graduation show, so perfect. So beautiful.

Byron: Classic goofster!

Danielle: I feel really comfortable playing with Emily, always. She’s so creative, the things Emily comes up with, and her initiations are always awesome. She’s so good at that. I like her energy. Her characters are always really good. I like her little kid characters.

Emily: (using a little anime child voice) Thank you very much.

Houston: You [Emily] are always so bold and confident. More than anyone, you are always out in the first scene. You’re out in a lot of scenes. When you make a choice, it’s bold and big. You are so confident. That’s something I admire and try to emulate. You just go out there and f***in’ do it!

Byron: Courageous. Very courageous and brave. It’s inspiring to me because I still get super scared walking out into scenes and I’m hardly in the first scene of a set ever, and Emily consistently gets out there. (To Emily) You don’t let the stage be empty, you attack it.

Joe: I think you [Emily] have grown a lot too, since Level 1. You’re really good at being in the scene and building the world. The thing you did at Block Party was really good.

Danielle: You always make 100 percent choices. Bold and confident and awesome. You stick to your shit.

Shawn: You commit.

Byron: You do stick to your shit. A little sticker! OK, now Shawn...I’m going to start this out and it’s not going to sound like a compliment. Shawn, you are NOT balanced! You are not balanced. You are like a scale and every single thing you are really good at is on one side...and it blows my mind. Why is that guy so smart? Why is that guy so bold? Why is that guy...not me?

Emily: Why does that guy look so much like Gene Wilder?

Shawn: It’s the hair.

Byron: I do think you are good at everything. Not just good, amazing.

Joe: I don’t think you [Shawn] really look like Gene Wilder, but you act like Gene Wilder. Not mimicking him, but you’ve got a similar feel to the way you act in scenes.

Emily: I feel like we give each other a hard time, but I feel like that’s because you’re like my improv brother, my big brother. I try to emulate the way you think on stage because it’s so good. I wish I could crawl in your brain and live there. It’d be such a weird, wacky place.

Shawn: It’s a dirty place.

Joe: You did a really good bit about truck nuts last night.

Emily: Truck nuts?

Shawn: I was fondling nuts all over the place.

Houston: You’re so whimsical, Shawn. And playful. Even when you’re playing a character that’s pissed off, there’s still a sense of fun to it, which I think is so important in improv. You’re always having a good time, and you bring that energy to whatever you’re doing on stage. Interesting, quirky, unique, and it’s not something you can learn, it’s something you have.

Byron: You’re just a little curly whirly.

Emily: If Houston is a super ball, then Byron is like a nuclear power jet. He’s got so much energy, but like in a great productive way.

Shawn: Like the Kool-Aid® Man.

Byron: Thanks! That’s who I aspire to be.

Joe: Smashing through stuff. Also, you [Byron] went to Chicago.

Houston: Yeah, he went to Chicago

Shawn: He went to Chicago.

Byron: Yeah, I went to Chicago. Make sure you put that in the article. I went to Chicago and studied at the Improv Olympics...you know, the iO.

Emily: Yeah, he was there for a week, and then they got sick of him and sent him back.

Houston: You [Byron] have a lot of knowledge about improv, like way more than I do. Like way more than a lot of people I know do. You’ve opened my eyes to a lot of ways shows can be built. And you play with a really good intensity. You make really big, strange moves, but they always completely work within the structure of what we set up.

Joe: The first time we ever played together, I knew I wanted to be in a troupe with this guy. You [Byron] initiated with “Timmy have a seat”...and I was thinking in my head “Have a seat, Tim” I had the exact same idea in my head as you.

Danielle: I love how passionate about improv Byron is. Byron subbed in my Level 1 class, and he was the guy with the notebook out.

Emily: I don’t think there’s anyone as committed to improv as you [Byron]. You bring a passion that’s remarkable. When you perform, you can tell you love being there.

Let’s end this Troupe Talk with some fond words of farewell and a moment of remembrance, for the one and only, Jake Malnaughty, Wiki Tikki’s first sacrifice to the improv gods.

Joe: Poor uh...Johnny...uh what was his name?

Danielle: Jake.

Shawn: You’ve already forgotten?

Byron: Jake Malnaughty.

Houston: You know Jake Malnaughty. His name.

Joe: Yeah, that sounds right. That guy, oh how I miss him.

Emily: I think it’s good to distance yourself, you know, and dehumanize it. He served his purpose well, and that’s the kind of thing I can say about him. The reason we picked him to be our sacrifice was that he was a bit of a dick.

Shawn: He was an asshole.

Danielle: He did improv in New York.

Shawn: We weren’t havin’ none of that!

Houston: Also he fit in the bull really nicely. It was a small bull.

Joe: He was a petite man.

Emily: Except for the pot belly.

Houston: He was petite with a belly.

Emily: Well, you know, I don’t remember him well. But if I could go back and sacrifice somebody again...I’d do it.

Lauren Levine is a DCH graduate. When she is not trying to come up with witty things for this blog, she is a freelance writer and editor, an amateur photographer, a Zumba-enthusiast, a dog lover, and an 80s movie nerd. In addition, she enjoys all things Muppet-related, the smell after a rainstorm, and people with soft hands.

(First three images: Tom Halbouty; last image: Darcy Armstrong)

DCH Reimagined: Disney Edition

Hello, DCH blogosphere homies! It has been a really long time, and I’ve missed you all terribly. Some of you probably thought I fell off the face of the Earth, since I haven’t posted anything on here in what feels like an eternity. But I have good news, in the words of Mushu from Mulan: I LIIIIIVE!!! I am indeed alive, kickin’, and still a part of Earth, at least to the best of my knowledge. Anyway, speaking of Mushu and Mulan and Disney animation, I decided to commence my return to the DCH blog squad with another exciting edition of DCH Reimagined. Huzzah! This week, I’ll determine what Disney film some of our favorite DCH troupes embody. You’re welcome.

Mirror, Mirror I must insist, let’s find out which troupes made this list...

Impractical Magic = Hocus Pocus

hocuspocusFeisty and full of snark, the ladies that comprise Impractical Magic are representative of the beloved 1993 Halloween classic, which showcased starring performances from Bette Midler and Sarah Jessica Parker. Like the film Hocus Pocus (and all great Disney flicks tbh), Impractical Magic shows often teach audiences valuable life lessons, such as the fact that boys can be easily distracted by a pair of “yabos,” virgins should never light mysterious candles with black flames, and one is never too cool for Halloween. Full of sass and badassery, the high energy the ladies of Impractical Magic bring to each performance rivals that of the Sanderson Sisters themselves and has a way of “putting a spell on you!” To top it off, with “magic” right in the troupe name, it’s only fitting that these gals are represented by a movie about witches. *Side note: this troupe may or may not actually try to steal your child’s soul, so leave your kids at home when seeing their show.

Franzia = Oliver & Company

oliverFranzia is a troupe that leaves us ordinary folk wishing that some of their innate coolness would please rub off onto us. They’re a bunch of comedy BAMFs, who don’t care about formats or rules; they’re just down to create memorable scenes with bold characters, causing audiences to laugh til they pee. If there’s a Disney film with an almost equal no-f---s-given attitude, it’s without a doubt Oliver & Company. It may be tad underrated, but it’s a classic none the less, and furthermore its coolness is undeniable. Three words: Billy Motherf---in’ Joel! Disney couldn’t get any smoother with a cast that starred the Piano Man himself, as well as friggin’ Dom DeLuise, Cheech Marin, and Bette Midler, #blessup. Also, you haven’t experienced cool until you’ve found yourself wearing a sausage scarf and badass Ray Bans, parading down 5th Ave with your own dog posse...I assume the members of Franzia have probably had parallel experiences.

The Monthly Junk = Fox & the Hound

foxandthehoundOK, I know what you’re thinking here: “Why would you choose like the saddest, most tragic Disney film ever to represent the two most cheerful, positive ladies at DCH?” I’m not suggesting that a Monthly Junk show will make you openly weep and ponder the nature of social conditioning and human behavior (although, I’m not NOT suggesting that either). At the core of this Disney film is a story about friendship, and at the core of Monthly Junk is a friendship that gives these gals their special onstage chemistry. It’s a friendship that transcends the stage and infuses everything these two do together. I mean, “Best of Friends” is the song that everyone thinks of when they hear Fox and the Hound, it also happens to be the song that comes to mind when I think of The Monthly Junk, though a version of the song that’s far less sad and much more upbeat...maybe an EDM remix with a sick drop (Does that exist? I need to know. The world needs to know!). Two ladies, who are the best of friends, making us laugh and cry (tears of joy of course) and laugh some more.

Glistlefoot = Peter Pan

peterpanA bunch of lost boys (and of course the incredible, fierce lost girl Darcy Armstrong), who can’t be tamed and like to get weird and wild on stage, like a rambunctious gang of unsupervised kiddos in a magical faraway land where grown-ups don’t exist and pirates and mermaids and fairies roam free, yeah, that pretty much sums up a Glistlefoot show. Thus, Glistlefoot is Peter Pan. This former Ewing troupe always seems to put on a hilarious, surreal set, often venturing into whimsical and absurd territory. I’ve heard that the recipe for magical flight, as well as a strong improv game, includes faith, trust, and a little Glistlefoot dust...not sure of the exact ratios/measurements on that, though; will have to confirm and get back to you.

Boink Bros = A Goofy Movie

goofymovieThere were many reasons why I chose 1995’s A Goofy Movie as representative of Boink Bros, but mainly because of that one scene where Pauley Shore’s character eats straight up cheese whiz right out of the can. He piles the cheese on his hand, proclaiming it the Leaning Tower of Cheeza (does anyone else remember that?!)...for some reason, I just associate that with the shenanigans and boinkenings of Boink Bros. A Goofy Movie (which, arguably, along with Encino Man may have been the height of P. Shore’s career) featured the voice of Pauley Shore. And any movie that features simply the voice of Pauley Shore, rather than the whole live human Pauley Shore, is dope in my book. Boink Bros are also dope.  Two dope dudes, doin’ dope improv. That’s a lot of dopeness.

Empty Inside = Muppet Treasure Island

muppettiBecause puppets. Of the Disney movies involving puppetry, Muppet Treasure Island is by far the best. Why? Because Tim Curry, pirates, hilarious jokes, and all the yo-ho-ho and a bottle of fun. It’s a Muppet masterpiece. A humor extravaganza. I highly recommend it. Of the DCH troupes that involve puppetry, Empty Inside is by far the best. I highly recommend these humans and their puppet babies as well.

 

Clover = The Aristocats

aristocatsBecause “everybody wants to be a cat.”

Nuff said!

(Click here to see why Clover are like a bunch of kitties)

Feel free to post your suggestions for other editions of DCH Reimagined in the comments below. Until next time, peace out girl scouts!

Lauren Levine is a DCH graduate. When she is not trying to come up with witty things for this blog, she is a freelance writer and editor, an amateur photographer, a Zumba-enthusiast, a dog lover, and an 80s movie nerd. In addition, she enjoys all things Muppet-related, the smell after a rainstorm, and people with soft hands.

Troupe Talk: Warm Milk

Warm Milk Before we warm things and get all milky up in this blog, I’m contractually obligated to say that this week’s Troupe Talk is sponsored by both Budweiser* and the upcoming film Milkeries 2, starring the incomparable Tom Truise. Milkeries 2: Too Warm Too Milky will be milkin’ up a theater near you this summer!

OK, now that the obligatory sponsor shout-outs and film plugs are done with, we can jump right into this week’s talk with the coolest, or I should probably say “warmest,” milksters at Dallas Comedy House (DCH). Warm Milk (Sallie Bowen, Collin Brown, Sarah Falke, Payton Elizabeth Forrest, Danny Neely, John Spriggs, and Joshua Zuar) is the perfect mix of lactose-fueled fun and friendship, pure uninhibited creative play, and a humbling respect and adoration for their beloved Milk King (Ravi Kiran) and Milk Queen (Sarah Wyatt). This is a group of improvisers that regularly throws convention to the wind, completely unafraid to embrace the bizarro and surreal, which often results in shows featuring things like an insane Evenflow power jam, some kitty marriage/support, and possibly an appearance by Clemaine, a seemingly shady man with nothing but a duffle bag full of antacids and a dream to one day get to Memphis. Their amazing ability to fearlessly unleash their inner weirdos together stems first and foremost from the legitimate love they share for each other, their coach, and their craft. Warm Milk is without a doubt rich in calcium and comradery, and they wholeheartedly enjoy spreading their Warm Milk love to everyone around them. These guys truly embody the spirit of acceptance and community that serves as a pillar of improv comedy. I was incredibly honored to be asked to officiate their troupe group wedding, and then I was even more honored to be given the opportunity to warm-up alongside them in pure buck wild, milk fashion.  They are so welcoming and open, and their zany shows reflect just that. At the end of the day, the love is real, the milk is warm, and the improv bits are definitely on point.

As a side note: Danny Neely could not make it to this week’s Troupe Talk because he was off doing Big Turtle-y things. However, Warm Milk believes he was present in spirit, and therefore his spirit answers will be included below.

Let’s start this interview with your warmest, milkiest origin story. Maybe each of you can add a sentence to the story or something fun like that. Basically, how did you guys all get together?

John: Once upon a time...we...wait, I’ll do a complete sentence. Uh, once upon a time...no f*** that. OK, once upon a time we uh...we all met at...a...restaurant...

Sarah: OK, here’s the real story...

Sallie: We did actually meet at a restaurant.

Collin: We all ran into each other at an Applebee’s and were like “Whoa...

Payton: ...Warm Milk!” and that was it.

Collin: Then we all had Dr Pepper’s and were like, “Do you guys wanna take this on the road?”

Payton: It was originally Danny, Collin, me, Joshua, and another girl, and we started out a block party.

John: Whoa, there was another girl?! Oh no, what happened to her?

Payton: It went OK. We didn’t really talk about it for a while, but then we brought it back up, and Danny had Sarah come in. Then they had someone else come in, but he didn’t work out.

Sallie: Oh, that’s cool.

John: I never got in.

Payton: Then we got John, and I think we got Sallie last.

Joshua: For a long time, I think it was just trying to get people to show up, and eventually this was the group that just frequently showed up after a while.

Payton: Although, John didn’t show up for the first month.

Sarah: And we waited for John.

John: Sorry, I didn’t know we were practicing! OK, serious answer here, I was working. Boring.

Collin: Exactly what we’re looking for in this is boring answers.

John: Oh, OK then.

Collin: Basically, Danny and I were interns and we were like, “Let’s get all our favorite people together!” And we did it...over the course of like nine months.

Spirit Danny:  Yes.

Sarah: This is Sarah speaking. I was in the troupe for two weeks before I even knew I was in the troupe, because Danny doesn’t tell me things.

Payton: Oh yeah! Danny didn’t tell Sarah at all that she was even in this!

Spirit Danny: My b.

Warm Milk

Do you guys remember your first practice together?

Sarah: The first practice that I was at, it was just me, Payton, and Collin, and I had only met them once before, and we didn’t have a coach.

John: How did that make you feel?

Sarah: Uh, it was a little awkward.

Payton: Super awkward because we didn’t know what to do.

Sarah: I just remember a dentist scene that went on for too long, where Collin drank my vomit...like put a straw down my throat and drank my vomit.

Collin: Classic me!

Payton: Yeah, we did two-person scenes over and over, and it was real weird. Then we went out to eat.

Sarah: Yeah, we went out to eat. That was nice.

John: Oh, so that’s where the restaurant comes in! See, it all circles back.

Spirit Danny: Indeed it does, John. Indeed it does.

Where did the name “Warm Milk” come from?

Sallie and Payton and Sarah and Spirit Danny: Ooooh!

John: Can I answer this?

Sallie: Oh yeah.

John: It came from you [Payton] or Collin...

Payton: It was Collin, yeah.

Collin: I think it was Sallie.

John: ...and it was a placeholder name...

Sallie: Yeah, we were like, “We’ll save this for now.”

John: And somebody, not gonna say who, didn’t like it because...

Sarah: Nuh uh, it was my name. I came up with it.

John: You came up with it?! What?!

Sarah: I came up with it.

John: Oh, I guess you did come up with it. Of course.

Sarah: ...No, actually I don’t know. [Warm Milk laughs] I felt responsible for it because I went along with it at first.

John: Boring but true answer, it was a placeholder name, because we thought it sounded gross.

Payton: Yeah, we thought it was a little gross and we’d figure something better out...but then it just started getting too gross, and I liked it.

Sarah: Then she got real milky.

John: Yeah, the Hoover Dam that held all that grossness back broke, and we just unleashed it.

Sallie: We bathed in it.

Payton: Oh yeah, everyone creamed all day.

John: There was definitely a full day of creaming.

Payton: Oh, absolutely.

Spirit Danny: Can confirm. Was there for the creaming.

Joshua: And we’ve all had thin layers of froth ever since.

John: My fingers kind of look like they’re just covered in a thin layer of froth.

Payton: Milk just comes out of my pores some days. I don’t know if that’s normal.

Sallie: I started peeing milk.

John: What flavor?

Sallie: Chocolate.

Payton: Can I come over when you’re peeing one day because I love chocolate milk!

Sallie: Oh, I’ll just start bottling it.

John: Please do. Please bottle it up. Be thoughtful.

Joshua: We’d like to take this time to say that we are now formally changing our name to Sallie’s Milk Piss.

Warm Milk

What is your comedy style? What could one expect to see at a typical Warm Milk show...aside from a complimentary bottle of Sallie’s chocolate milk pee?

Sallie: Experimental!

ALL: Dayumm!

John: Fun!

ALL: Dayumm!

Sarah: F***in’ weird as shit!

ALL: Dayumm!

Sallie: Breakin all the rules!

ALL: Dayumm!

Payton: Rock ’n’ roll!

ALL: Dayumm!

Spirit Danny: Dayumm!

Collin: I guess we decided not to do a format.

Sarah: Yeah, there’s a lot of “yes and.” No format.

Joshua: Lots of support.

Sarah: Definitely group mind.

Sallie: A lot of sweat. We run around the parking lot before shows.

John: Unless it’s in the dead of winter, and probably even then, I think we’ll still sweat. You will always see us sweaty.

Sarah: Expect to see a lot of sweat.

Sallie: And dancing.

Payton: Oh yeah! For sure! Too much dancing!

John: FYI, on the record, we all took Amanda’s dance class.

Payton: And that’s why we dance so much.

Sarah: And so good.

Collin: And that’s what you can expect to see.

John: Moves learned in Amanda’s dance class.

Spirit Danny: Agreed.

What are your favorite things about performing with your fellow milk buds?

Collin: They’re super supportive.

Sallie: Yeah, everybody just jumps on board, no matter what.

John: Well, I don’t.

Sallie: OK, except for John.

Payton: Yeah, he’s never on board.

John: I was at the beginning, but then I was like I just do not agree with anything that we’re doing.

Payton: You got milked a little too hard.

John: I got milked dry, and when all the milk left my body, my love and support did too. No, but this is true, another boring but true answer: We all like each other A LOT, and I think that definitely influences our format (or lack of format) and just how we play with each other.

Sarah: Well, one of my favorite practices was when Joshua played piano for us.

Sallie: Joshua here can play the piano beautifully and make up songs on the spot.

Joshua: We did an improvised talk show.

Sarah: Ya know, I spent the weekend with my family recently. And I like my family, but when I’m around you guys, I am so much more comfortable.

John: You can just be yourself? You feel like you can just be yourself?

Sarah: Yeah, I’m weird as hell, and it’s totally fine. And everybody jumps on board with it, and I love that. It’s really nice.

John: I love when you’re like, “I gotta go home and sleep because I have work in the morning, I’m sorry.” And like you’ll say you’re sorry, but like it’s fine, it’s cool. I’m like, “That’s a girl who is responsible...”

Sallie: “...But knows how to party also.”

Payton: She knows her specific bedtimes.

Sallie: And she don’t give a f***!

Joshua: I like when Sarah goes, “I’ve had enough of your bullshit and I don’t want to listen to you talk another word.” I appreciate it, it makes me feel good about myself.

Sallie: She says it like it is.

Payton: I like when Sarah bitch slaps me a little bit.  I just appreciate that. She slaps me, and I’m like, “Oh, I get it. I get it.”

John: I like when Sarah will pinch the lobes of my ears until they’re like red and numb and hot like lava.

Sallie: I like when Sarah follows me out to my car, and then she’ll trip me. I’ll look up and I won’t realize it’s her until I turn around, and she rips off my glasses and spits right into my eye.

Collin: I like getting messages from Sarah when I wake up like, “I hate you. You’re honestly my least favorite person I’ve ever met. I can’t believe your parents kept you.”

Sallie: I know, right?

John: And your [Collin] shirt looks like it’s Calvin’s uncle’s from Calvin and Hobbes.

Payton: [To John] Oh, OK there Sarah.

Joshua: [To John] Calm down, Sarah.

Sarah: Thanks, guys!

Spirit Danny: You're welcome.

Collin: Practices just feel like I’m hangin out...with my buds.

Payton: Yeah, buds and stuff. Ya know, we like drinkin Buds.

Collin: This interview was sponsored by Budweiser actually.

John: Can you put that down, because if we don’t put that down in the article, we will get sued. They’ll sue the milk out of us.

Warm Milk

Real talk. Would you consider marrying the milk buds in this troupe?

John: This is true, if any one of these people proposed to me right now, I would marry them...any one of them...any single person... or all of them together.

Sallie: You mean that?

John: I do mean that.

[Sallie gets up, spins around three times, and goes down on one knee.]

Payton: Oh my god!

Collin: Oh, this is happening!

Sallie: John, I first saw you at a Jam like a year ago, or maybe more, and you were wearing a Hawaiian shirt...

John: Is this when you had short hair?

Sallie: Yeah, I had short hair [starting to cry]...

Sarah: You can do it.

Payton: Wait, wait, wait!

[Payton gets up, spins around three times, and goes down on one knee.]

John: Oh my god!

Payton: Sallie, I first met you about a year ago. I didn’t even know you were living in Denton yet, but I live in Denton too, and...

John: Hold on, just a second!

[John gets up, spins around so many times, and goes down on one knee.]

Payton: Oh my god! So many spins.

Sallie: Oh my god, so many.

John: Sorry, I lost count. OK, Payton,  we did student lotto together...

Payton: We did!

John: ...and we played brother and sister...

Payton: We did!

John: ...and we danced at prom, and I felt so uncomfortable. I was sweating so much.

Payton: I hated every minute of it! [crying] I’m not sure if this is a proposal anymore or not...

[Sarah gets up, spins even more times than John, and goes down on one knee.]

Sallie: Oh my god, Sarah!

John: Sarah!

Sallie: Do you want my ring?

Sarah: Guys, I say yes to all of you.

Payton: Aww, Sarah!

Joshua: So, Collin, do you wanna get married?

Sallie: Lauren, I’d like to invite you to save the date.

Sarah: Tonight at eight.

John: Actually, can you [Lauren] officiate the wedding? Is that possible?

Sarah: If we all aren’t married by the end of the show, I will quit.

John: If it doesn’t end in marriage, then why I am even doing this?

Spirit Danny: Yeah!

What’s it liked to be coached by your very own dairy mama, Sarah Wyatt?

Payton: She’s the Milk Queen.

John: She is the Milk Goddess.

Sallie: I just want to say, she’s the reason we say, “F*** it, let’s get weird!” She taught us that way. One time, she came to practice prepared with a murder mystery. She had characters prepared for us and everything. My name was Bruce Waggins, and I was an oil millionaire...and then I wanted to cry because that’s what I’ve always wanted to be.

John: That was beautiful.

Payton: That was the best practice. That was so good.

Joshua: Oh man, I wish I was there.

Payton: You were the dead person we were trying to figure out...

Sallie: Yeah, you got murdered.

Joshua: Thanks, guys.

John: Here’s the thing I wanna say about Sarah Wyatt...I forgot what the original question was...

Collin: It was, “What do you have to say about Sarah Wyatt?”

John: Oh good. Well, first of all, she did marry all of us, but also, she has so much fun and passion and is the most supportive. She commits harder than anybody, and she’s so focused. And I hope for anybody who sees our show that they walk away and say, “Oh yeah, that’s a Sarah Wyatt troupe.”

Sallie: She coaches a whole bunch of different groups and she’s so good at knowing exactly how to hone in on what’s needed for each of them. So, for us , she knew to break down walls and just do weird things. F*** a format!

Joshua: Not a lot of other coaches do this, too, but she is the first person to come up to us after a show and go, “That was incredible guys!” So she’s always there for us.

Sarah: Every show.

Payton: She comes to all our shows.

Collin: And she’s helped us book shows at other places, too.

Sallie: So encouraging.

Joshua: I don’t ever want another coach.

Sallie: She’s an angel.

John: She’s a Dairy Queen.

Payton: She’s our Dairy Queen.

Spirit Danny: Ditto.

Sallie: We should also mention that Ravi Kiran is our Milk King.

Oh, perfect! We’ll end this Troupe Talk with a collective, heartfelt message/shout-out to the Milk King himself.

ALL: Dear Milk King, we love you so much, and your milk is refreshing. Thanks for all the milkeries!

John: Milkeries starring Tom Cruise. Tom Cruise tries to assassinate Adolf Hitler in Milkeries...Tom Cruise tries to milk a Hitler dry. Milkeries.

Payton: That was beautiful.

Spirit Danny: Agreed.

Catch Warm Milk do their milk thang at their upcoming performance at DCH on July 20.

*Budweiser did not actually sponsor this Troupe Talk. However, if any Budweiser reps are reading this, feel free to reach out with a sponsorship. We’ll take it.

Lauren Levine is a DCH graduate and a Sketch 3 student. When she is not trying to come up with witty things for this blog, she is a freelance writer and editor, an amateur photographer, a Zumba-enthusiast, a dog lover, and an 80s movie nerd. In addition, she enjoys all things Muppet-related, the smell after a rainstorm, and people with soft hands.

(Images two through four: Ravi Kiran)

DCH Reimagined: TV Shows From The 90s

Heyyo comedy party people! It’s about that time again. Yep, it’s time to reimagine Dallas Comedy House (DCH) troupes as something completely different. We’ve previously re-imagined troupes as iconic professional wrestlers and super pawesome dog breeds, so you’re probably wondering what’s in store this time.   In this edition, we’ll get a little nostalgic and head back to the pre- Netflix/Hulu/DVR days of the 1990s, when TV was teaming with an excess of Day-Glo and flannel and subversive cartoons. It’s the decade that introduced us to the Fresh Prince, Zack Morris, and Stefan Urquelle (a.k.a. Urkel’s smooth talkin’ alter ego that dresses a little douchier and isn’t  quite as obsessed with cheese). So slip on a pair of bike shorts and Air Max runners as we jog down memory lane to combine the best of DCH improv and 90s TV.

Hold on to your butts, we’re doin’ this thing!

areyouafraidofthedarkThe Midnight Society = Are You Afraid of the Dark?

Spinning hilarious campfire urban legends from a single audience suggestion, The Midnight Society is totally Are You Afraid of the Dark?...or at the very least I'm pretty sure that's where their troupe name is derived from. Exploring a gang of badass bandana-clad teens (you know a bandana means butt-kicking-ain’t-afraid-of-nothing business) swapping scary stories, Are You Afraid of the Dark? fueled the nightmares of countless 1990s kids. The Midnight Society’s brand of improv is equally thrilling and spine-chilling. Full of kooky characters and crazy plot twists, probably a demon summoning or a séance or two, and plenty of comedic shenanigans along the way, The Midnight Society brings both the fun and the spooky to the DCH stage. It’s improv that would make Gary (Are You Afraid of the Dark?’s fearless storytelling leader) and baby Ryan Gosling (who once made an appearance on the show's “The Tale of Station 109.1”) both super proud and pee their pants due both to lots of lolz and lots of scares.

mysocalledlifePretty People With Problems = My So-Called Life

If there's a '90s show that spoke most to your brooding and awkward teenage soul, it was probably My So-Called Life, which featured some of the most memorable, relatable, and Jared Leto-filled teen angst TV moments. And, if there’s a DCH troupe that also lets you relive those same melodramatic high school feels, it’d undoubtedly be Pretty People with Problems. Pretty People take all the angst and the teen stereotypes and add in a dash of their improv magic to create wonderfully vibrant and hilarious teen dramas. Pretty People will make you laugh your butt off and then want to go home and write some pissed off poetry about how nobody gets you, because "sometimes it feels like we're all living in some kind of prison" and "the whole conversation thing is like totally overrated." You do you Pretty People.

quantumleapEncyclopedia Moronica = Quantum Leap

Encyclopedia Moronica is obviously DCH's Quantum Leap. If you weren't a huge sci-fi nerd during the early '90s, allow me to briefly explain the show's premise. Scott Bakula, a.k.a. Dr. Sam Beckett, is trapped in a time-travel conundrum, travelling across history by leaping into the bodies of historical figures and people of the past, creating zany and altered realities. Quantum Leap explored everything from JFK's assassination to the Watergate scandal to Michael Jackson learning some sick dance moves, brah (that's right, there is a show in which Scott Bakula teaches a young MJ how to moonwalk). Like Quantum Leap, Encyclopedia Moronica isn't afraid to mix the educational and historical factoids with gamey bits and playful scenes. A little drama, a little history, and whole lot of comedy, Encyclopedia Moronica is learning done fun!

peteandpeteRelease the Hounds = The Adventures of Pete and Pete

The Adventures of Pete and Pete was one of the dopest kid shows of the 1990s, following the adventures of Big Pete and Little Pete. Likewise, Release the Hounds is one of the dopest two-man troupes at DCH. If you want a dope improv show with a bunch of wacky characters, endearingly strange worlds, and a whole lot of heart to it, then Release the Hounds is a troupe you need to check out stat! Like The Adventures of Pete and Pete, the gentlemen of Release the Hounds celebrate goofy worldviews, supportive play, and brotherly love. Intelligent and surreal, Pete and Pete were the real MVPs of early Nickelodeon programming. Release the Hounds keeps on bringing the spirit of the two Petes to DCH, and for that the fictional people of Wellsville and all of us real life two-man comedy lovers thank them. As Little Pete would say, don't be a jerkweed and go watch Release the Hounds.

liquidtvBig Stupid Fun = Liquid Television

Liquid Television may have been one of the greatest things to come out of MTV during the 1990s or possibly ever (I suppose that's up for debate). The cult series showcased original animated cartoons, the intermittent music video, and lots and lots of other miscellaneous, stupid weird stuff. Heck, the animated music video for They Might Be Giant's "Istanbul" premiered on Liquid Television, and that's like the most weirdly fun song about Istanbul ever! Right?! Big Stupid Fun, a group of former Ewingites who love a good call back and lots of side support, is equal parts stupid cartoon-like fun and witty sensibility. When this crew comes to play, they play hard, with lots of sass and bold characters. And, just as Beavis and Butt-Head, two of America's most nacho and bunghole loving individuals, first appeared on Liquid Television, the two have also been known to make an appearance in a Big Stupid Fun performance. Ain't no show like a Big Stupid Fun show, cause with a Big Stupid Fun show there may or not be references to Cornholio.

Feel free to post your suggestions for other DCH troupe reimagining or just say hi to me in the comments below! Peace out, girl scouts!

Lauren Levine is currently a Level 5 improv and Sketch 2 student at DCH. When she is not trying to come up with witty things for this blog, she is a freelance writer and editor, an amateur photographer, a Zumba-enthusiast, a dog lover, and an 80s movie nerd. In addition, she enjoys all things Muppet-related, the smell after a rainstorm, and people with soft hands.

Troupe Talk: Pretty People With Problems

Pretty People With Problems Dear Dallas Comedy House (DCH) friends, family, and of course, Mr. Vernon,

Pretty People With Problems accepts the fact that they’ve had to sacrifice a whole lot of time and energy, time originally guided by the wonderful Nikki Gasparo and now guided by the equally wonderful Ashley Bright, to flush out and hone a wild idea for an improvised teen movie. They’ve all practiced really hard together, and it’s crazy inspiring to see how far they’ve come. So, “Who exactly are they?” you ask. Well, you may see them as just a posse of unruly, free-spirited improv kiddos, but they’re definitely more than that. They’re a troupe of incredibly talented players who genuinely love to “yes and...” and support each other on and off the stage. With shows chock full of silly scenarios, zany casts of characters, and plenty of talk about Jerrell’s butthole, Pretty People With Problems is helping audiences relive their glorious high school moments: the good, the bad, and the embarrassing. With a lot of love and a whole lot of weird, they bring to life those precious moments rife with acne, angst, and possibly a rockin’ John Hughes soundtrack. In the simplest terms, Pretty People With Problems is the stellar combination of a Cody... a Jerrell and a Sallie...a Tyler and a Brian...a Bonnie...and a Natalie (a.k.a. Buffy in a young Meryl Streep disguise).

Does that answer your question?

Sincerely yours,

The Breakfast/Improv Club (it’s a dual purpose organization)

To start us off, let’s hear the super teen-angsty, melodramatic origin story of how Pretty People With Problems came to be.  

Cody: I was smoking pot behind a dumpster and writing poetry with my tears when Natalie told me Brian had told her that Tyler told him that Bonnie told her that Sallie said that Jerrell said that Nikki Gasparo said I had shit my pants in the cafeteria and that Ms. Bright slipped in it and gave me detention. I looked Natalie in the eyes and threw my letterman jacket on the ground and said, “I need redemption.” Then I messaged everyone on AIM and asked if they wanted to do a teen drama. No one wanted to, but they were all into improv, so I skated all the way to Keller, Texas, where Nikki lived, and we had our first practice.

Sallie: It was a dark, stormy night in the mid-1990s. Brian was working in his father’s grocery store, closing up because he was that kid with adult problems. Tyler was smoking a cigarette outside, just not giving a f***. Bonnie and Natalie cruised up in their BMW convertible with a bottle of vodka and techno music blasting on the radio. Cody was hiding behind the building filming everyone for one of his “art films.” Jerrell flew in on a cloud, and no one was certain whether he was human or God. Sallie was mopping up the parking lot and watching porn on her phone. Suddenly, a bolt of lightning struck and permanently banded these seven individuals together. Pretty People With Problems was formed.

Jerrell: I wasn't there for the very, very beginning, but from what I understand is that I was brought in as a season one guest star to shake up the personal relationships of the main cast but then I stuck around. It pays to hang around the craft services table a.k.a. chill out at Brian and Tyler's apartment while they're practicing because you're too hungover to go home.

Natalie: Brian and I have always been the dearest of friends, enabling each other to watch cable, instead of studying or binging on junk food and classic romance films (with the sound muted and our own dialogue, of course). And, don't forget the platonic sleepovers and make-out practice sessions. BEST BUDDIES. Then, of course, we always yearned for the attention of our high school's "it" duo, Cody and Jerrell, but flawlessly covered up our desperation with plenty of sarcasm and wit. Anytime Brian or I needed some sage advice, we consulted the original club sponsor/home-ec teacher, Ms. Bowen. No matter the situation, Ms. Bowen could always make me feel better, see the error of my ways, or realize which pill to take. It’s weird, though, I also always seemed to feel like her wisdom had an underlying message about my relationship, which was totally platonic, with Brian. Anyway, the coolest and most badass rebel, Tyler, looked in every room and hallway with a sexual tension that excited Brian and me, but we figured he'd eventually just fall for Ms. Bowen, and they would have some kind of sordid tryst that resulted in jail time and/or a pregnancy. Bonnie came into the picture when she moved here from Idabel, Oklahoma. She was the sweetest, little small-town girl with perfect grades. Brian and I pooled our spare change and sour patch kids together to bet on when she'd finally indulge in her dark side. And that's basically it, but, hey, it's only junior year, right?

Bonnie: Ugh. Total drab of a story. I don't know if you know Nikki Gasparo, but she basically rules the school. She's like the Queen B. And by “B,” I mean BITCH! No, she's amazing! She came up with the idea for an improvised teen drama and we all orgasmed in unison and started the troupe.

For people who may not be familiar with you guys, what can someone expect to see at one of your shows? What's your format or style?

Cody: We ask the audience for a problem they had in high school, then we put on a narrative, ”dramatic” show, in which we try to bring that problem to life. They can expect to see horse girls, dumb jocks, smart jocks, pill-addicted bitches, smelly skater boys, bug-boy, Poot the kleptomaniac, pooping in the cafeteria, teachers at prom, a cool opening credits video, and Jerrell’s butthole.

Sallie: We do an improvised teen drama in a narrative format. You can expect to see all your favorites: the slutty cheerleader, the mysterious bad boy, the pompous jock, the insecure school guidance counselor, the stoner, the horse girl, the bug boy, etc.  

Jerrell: It's VERY dramatic. Like the TNT of the theater. We love drama. But, essentially, we come out to a staple teen drama song looking very good and grab an audience suggestion of a high school issue and we play off of that. And somewhere along the way feelings are confessed and there's a lot of yelling.

Natalie: We begin with an air of drama and an audience member's personal high school obstacle. From there, we present a no-frills, totally unfunny and seriously serious adaptation of One Tree Hill/The O.C./Beverly Hills 90210/Melrose Place/Dawson's Creek/Gossip Girl/My So-Called Life/Degrassi High/Degrassi: The Next Generation.

Bonnie: Basically you will see a lot of sighing and Sallie playing human/animal characters. We also love to open and close lockers and backpacks, to really give our show that high school feeling.

If you could go back in time and give your teenage, high school self some advice, what would it be?

Cody: DUMP HER! And definitely don’t F***ING BRING HER TO DALLAS WITH YOU AND MOVE IN WITH HER YOU DIPSHIT! RUN AWAY! RUN! Also, when you get to Dallas don’t wait three years to go to Dallas Comedy House. Or do, because you’ll like the people you have class with. Whatever. Hey, don’t Bogart the joint, man.

Sallie: STOP SKIPPING CLASS, YA DUMMY.

Jerrell: Chill out. No matter how much that straight dude flirts with you, he's just doing it for the attention. And wash your face at night, you deserve clear skin.

Natalie: STOP GIVING ANY DAMN F***S! And am I kind of crushing on Brian, or do we just spend too much time together AS FRIENDS??

Bonnie: Keep eating lunch in the library. It's so much more peaceful in the library than in the lunchroom. Plus you're never going to get to see a food fight, so what's the point.

Teen movies are often all about those badass girl cliques. If life were a teen movie, what fictional #girlsquad would each of your troupe mates be part of and why? (Yes, Natalie, you can provide what teen drama stereotype/trope they’d be. Whatever makes you happy, boo.)

Cody: I know who’s in this troupe and how good they are at this sort of thing. My knowledge of pop-culture is painfully inadequate, so I’m going to let the others take this one.

Sallie: Natalie would be in Buffy the Vampire Slayer’s clique or she would be Buffy herself. She is so obsessed with that show that I’m starting to think she is Buffy.

Bonnie: Natalie would be a part of... Well she just would be Buffy the Vampire Slayer. So would Brian. They are both Buffy because they are so badass and they have great hair.

Sallie: Brian would be part of the Plastics in Mean Girls because he is a badass, boss bitch that runs things. (Seriously, he is the bar manager at DCH. Check out the new menu!)

Natalie: Brian would be the field hockey captain and the sweet, loveable class president who also isn't afraid to let lose because he's a great leader and hella admirable. Also fit.

Sallie: I think Cody would be a part of the Heathers because he might murder someone.

Bonnie: Cody is definitely Regina from the Plastics because he is such a conniving, secret-starting, boyfriend-stealing, witch!

Natalie: Cody would be the section leader in the school choir, just to hear his own voice more, and he would also be the newest member of the pottery club because he wanted to meet an artsy girl that doesn't have dreadlocks but also doesn't judge anyone for having them.

Sallie: Jerrell would be a Spice Girl in Spice World because he really is a real-life pop star.

Bonnie: Jerrell would be Cher from Clueless because he has the best wardrobe and he is very persuasive. And he has great cheekbones.

Natalie: Jerrell would be the drill team captain who lights up a fat doobie under the bleachers before every halftime show but still has the best high kick you'll ever see. He is loveable as f*** but down-to-earth.

Bonnie: Sallie would be Dionne from the clique in Clueless because she pulls off a nose ring so well and she don't take shit from no gross bitch with a fake weave.

Sallie: Sallie would be one of the detentioners in The Breakfast Club. Most likely the quiet girl with dandruff because sometimes she really does get dandruff and she’s kind of creepy.

Natalie: Sallie would be the school principal on the fast track to being superintendent, but she gets it on with the weird goth kids because she's sexy as hell and could rock leather.

Sallie: Bonnie would be part of the T-Birds from Grease, because I could see her cruising in a sick ride, looking for chicks and greasing back her hair with a comb she keeps in her back pocket.

Natalie: Bonnie would be the bad virgin/clean teen that wants to remain pure but likes getting carried away with dirty talk and weenie play, because she's sweet and hot. Tyler would the president of the AV club, or the school DJ, or the bitchiest klepto you'll ever meet, because he's the bitchiest klepto you'll ever meet. He's also banging Sallie/Ms. Bowen.

Sallie: Tyler would be part of the Toro’s in Bring It On because he is very cheerful, supportive, and probably has a sick round-off back handspring.

Bonnie: Tyler would be Gretchen from the Plastics because he's always starting incredibly ridiculous rumors. These are just two he started at my high school. "Demi Lovato is giving the graduation speech," and "We're getting a Chick-fil-A in the cafeteria!"

Speaking of Plastics and Mean Girls, if you ever found a Burn Book with your picture in it, what do you think would be written about you?

Cody: Probably something like, “He has a big head, both metaphorically AND literally.”

Sallie: There would probably be a very frizzy-haired picture of me and under it would say, “Does she even go here?”

Jerrell: My burn would be something like, "Yikes...kinda desperate." But my picture would look great.

Natalie: “Eats a lot of cheese, ...like, a LOT!”

Bonnie: “Bonnie eats her corn like she's trying to get it off.”

What do you enjoy most about getting to play with this particular group of people?

Cody: When we first started practicing, it was hard to be good, because we were all just being so stupid and cracking ourselves up. Ashley had to develop punishments for breaking. I think the silliness and making each other laugh is what I love most. Also, I have to give credit to the effort Ashley has put into this project. It’s nothing short of inspiring. The passion from everyone has been outstanding.

Sallie: Everyone in this group is an incredible performer and improviser. I am always looking forward to either practice or shows with them because we have so much fun with each other. Each one is a genuinely hilarious person, and we’re always cracking each other up.

Jerrell: These are some of the weirdest people I've ever played with. There's never any judgment about a move being made or a joke or whatever. Like, this entire troupe is so weird, and it's the best. I don't know; it's super freeing knowing that I can do whatever dumb, weird thing I want to and they “yes and” it.

Natalie: I love and adore this group so incredibly much, because while we're all friends and mesh really well, we also each have unique and distinct qualities/styles/personalities. We make each other laugh a lot, and I think that's a great place to start when your goal is to make other people laugh, too.

Bonnie: We all have so much fun together and we know and love teen dramas. Plus, I've seen all these people on the toilet and once you've seen that, a bond forms that's unexplainable and so amazing.

What rule of improv do you try to apply to your everyday life and why?

Cody: Oh wow, thank you for the soapbox.  I’m going to try to only put one foot on it. I guess I have to choose between “say yes” and “listen to the last thing said.” I think it would be the latter because I have a tendency to respond to things with “I” or “me” statements just to relate, and I want to work on really listening to and engaging with the other person in a conversation.

Sallie: “YES AND,” baby. I always try to say yes to new opportunities and experiences, and this has significantly broadened my horizons. Also, listening is so important, and since taking improv classes, I believe I am a better listener in my regular life.

Jerrell: Saying yes. That's so cliché, but I mean saying yes to everything, mostly to myself. I used to spend a lot of time being concerned about how other people felt about me and what I was doing, instead of how I was feeling and whatever. So, more specifically, saying yes to my feelings and what I want and need to do from moment to moment.

Natalie: Improv is a phenomenon to me because every concept/pillar can simply translate into or be applied to life. So, I can't choose a “single” concept that I apply, but in general, I see improv, in its purest sense, as an enchanting, mind-boggling and frustrating entity, which can also be said of life. Also, the support and respect I’ve seen and experienced in the DCH community, especially in regards to gender equality, is a security and love I know I am extremely lucky to have.

Bonnie: I always say yes. It just makes life so much more fun.

As with anything in life, movie quotes are always applicable. So let’s end this Q&A by coming up with a Pretty People tagline, using only teen movie quotes.

Cody: “Whatever I feel like I wanna do, gosh!” – Napoleon Dynamite; Alternate: “Yes… yes… yes…” – Napoleon Dynamite

Sallie: “Well you can’t kill me ‘cause I’m already dead. And I talked to God, and she says, ‘Yo wassup?’ and she wants you to lose the gun.” – Deb in Empire Records

Jerrell: "Do yo thang, Isis." – Bring It On

Natalie: "Shoulda used the window!" – Walter Stratford in 10 Things I Hate About You; Alternate: "It don't matter if you win by an inch or a mile. Winning's winning." – Dominic Toretto in The Fast And The Furious

Bonnie: "Why should I listen to you? You're a virgin who can't drive." – Tai from Clueless

Pretty People With Problems performs at DCH on June 1 and June 9.

Lauren Levine is currently a Level 5 improv and Sketch 2 student at DCH. When she is not trying to come up with witty things for this blog, she is a freelance writer and editor, an amateur photographer, a Zumba-enthusiast, a dog lover, and an 80s movie nerd. In addition, she enjoys all things Muppet-related, the smell after a rainstorm, and people with soft hands.

DCH Reimagined: Canine Edition

A few weeks ago I wrote a post, in which I reimagined a few Dallas Comedy House (DCH) troupes as iconic professional wrestlers. People seemed to enjoy it. Why? I have no idea. But, as a result of that overwhelming support for the piece, I’m bringing the idea back.   So, as requested by you the people, notably David Allison via Facebook comments, in this week’s reimagining we’ll uncover which type of dog some of our favorite DCH troupes embody. Brace yourselves for some pawsitively, doggone, puppy-filled improv fun.  

All right, let’s do this thing!

GoldenRetrieverThe ’95 Bulls = Golden Retriever

People-friendly and full of fun, the six gents that comprise The '95 Bulls are a lot like a precious litter of Golden Retriever pups. Waggy-tailed and easily excited, they're always down to play and offer unwavering support for each other's ideas. Not opposed to chasing tennis balls, these guys are silly and always bring high energy to each performance. To top it off, with a basketball reference as a troupe name, it's only fitting that these guys are represented by the dog that played the beloved Air Bud. Slam dunks for The '95 Bulls. Slam dunks for Golden Retrievers.

corgiSummer Girls = Corgi

If there’s a dog you’d want to hang out on the beach and get drunk with, hands down it’d be a Corgi. And,  if there’s a DCH troupe that you’d also want to have the same drunken, summer experience with, then you can bet your sweet ass it’d be Summer Girls. Like Corgis, they too have cute butts and big smiles. Summer Girls are tenacious and loveable and look cool AF in a boss Hawaiian shirt (see pic for equal Corgi proof). Fiesty and cut, Corgis be down to party and Summer Girls be down to ‘prov.

ShihTzuPrimary Colours = Shih Tzu

Primary Colours is the Shih Tzu of DCH. Before you start shitting on the Shih Tzu, let me just say that these cuddly guys are some the silliest and weirdest dogs around. Their faces alone are enough to make you want to laugh. And, the faces that make up Primary Colours all make me laugh loads with their bold stage choices and willingness to get weird together. Shih Tzus appear to be the cute puppy-spawn of an Ewok and a Mogwai, making them trustworthy and friendly and downright nuts if fed after midnight! It is believed that the same description can be applied to Primary Colours.   

Boston TerrierSamurai Drunk = Boston Terrier

Boston Terriers have two settings: “dapper as f***” and “off the wall insanity.” Coincidentally, Samurai Drunk also shares those modes of operation. If you want high energy, fast pacing, lots of side support, and seemingly zero chill, then Samurai Drunk is the troupe for you. Like the Boston Terrier, the gentlemen of Samurai Drunk are frisky, intelligent, and generally overall entertaining. Fun fact, the Boston Terrier was Helen Keller’s dog of choice. So in my mind, Samurai Drunk would be Helen Keller’s troupe of choice, too.

Caucasian ShepherdPavlov’s Dogs = Caucasian Shepherd Dog

Caucasian Shepherd Dog are also known as “The-Biggest-Freakin-Dog-To-Ever-Exist-Ever-Actually-That’s-Not-A-Dog-That’s-A-Bear-Disguised-As-A-Dog.” Let’s just say, Caucasian Shepherd Dogs are some big-ass dogs. These Russian pups are probs the same canines that the real Pavolv rang his bell for and prayed that they wouldn’t eat his face off after depriving them of food during his classical conditioning experiments. Pavlov’s Dogs are also the big dogs at DCH, comprised of several improv OGs. Just as the Caucasian Shepherd Dog displays natural dominance and leadership, Pavolv’s Dogs have been leading the DCH pack since 1998. Though mighty in size, these Dogs are ultimately a bunch of fun, gentle giants.

catClover = Cat

Not even a dog. It’s a cat. Have you seen a Clover show? For those that may not be familiar, Clover is a group of former Ewing-ites and now one of the newest troupes at DCH. These guys are also the embodiment of everything kitty and cat-like. Like cats, Clover is made up of 10 percent fluffy cuteness, 20 percent distraction by shiny objects or string, 30 percent playful energy, and 40 percent too cool to give a what. You do you, Clover. You guys are purrrfection.

Feel free to post your suggestions for other DCH troupe reimagining in the comments below!

Lauren Levine is currently a Level 5 improv and Sketch 2 student at DCH. When she is not trying to come up with witty things for this blog, she is a freelance writer and editor, an amateur photographer, a Zumba-enthusiast, a dog lover, and an 80s movie nerd. In addition, she enjoys all things Muppet-related, the smell after a rainstorm, and people with soft hands.