Every Friday, DCH performers, teachers and students offer their recommendations for things to watch, read, see, hear or experience. This week David Allison suggests a tip to Hulu, Sarah Wyatt spreads the gospel, Ryan Callahan finds stories that keep him up at night, and Nick Scott has his preconceptions shattered. Thursday night, NBC will air Donald Glover’s last episode of Community. Cue crying montage. Even though he’s just thirty years old, Glover has an incredibly diverse career that many comedy fans may not fully be aware of. He’s showed off his ability to rap on Community and under the moniker Childish Gambino. He’s written for 30 Rock, (and provided the occasional cameo). And, along with the Derrick Comedy members DC Peirson and Dominic Dierkes, created a series of fantastic sketches that tackle issues like werewolves in radio stations and Bro Rape.
I’m going to assume that everyone is watching Community, so my recommendation this week is a great movie called Mystery Team. After hitting it “Internet big” a number of years ago, Derrick Comedy took a step back, pooled their resources and decided to make a movie. The film follows the story of three kid detectives that have grown into high schoolers, but refuse to give up their investigative hobby. I love their ability to play the dumbest characters (Peirson plays a trivia braniac, Dierkes a strong man and Glover a master of disguise) in very real situations. Also, it has some great support lent by Jon Daly (Rafflecast and Kroll Show) and Bobby Moynihan (SNL). Moynihan steals every scene he's in. The entire film is fantastic and necessary viewing for comedy fans, especially because it’s free on Hulu. - David Allison
Andy Daly is the funniest guy I know. We’ve never met but I feel like he would be cool with me saying that. You probably know him best from his stint on MADtv back in the day, but he is so much more than that. Andy Daly is killing it in the comedy game. He is everything I aspire to be as an improviser, comedian and human being. He is a great listener, he always follows the fun of a scene, his characters are off the hook and he just seems like a genuinely great person. He has a new show, Review, set to debut on Comedy Central this spring, one day after my birthday. He also has a new podcast, The Andy Daly Podcast Pilot Project, debuting in February that promises to be truly amazing. This podcast came about because of his amazing characters on the Comedy Bang Bang podcast. Cactus Tony, Chip Gardner and Don Dimello are just a few of his creations that I urge you to do yourself a favor and listen to immediately. I have never laughed so hard by myself than I did while listening to the Cactus Tony episode of Comedy Bang Bang. Daly is also wonderful and underrated as Principal Cutler on Eastbound & Down. I hope this post reaches every corner of the globe because people need to know the comedic gold that is Andy Daly, and I am happy to spread that gospel. Daly is about to blow up, and he would totally be OK with me saying that. - Sarah Wyatt
McSweeney's Quarterly Concern Volume 45: Hitchcock and Bradbury Fight in Heaven is catnip for short-story lovers like me. Inspired by two anthologies—one edited by Alfred Hitchcock, one by Ray Bradbury—which McSweeney's Editor Dave Eggers found at used-book sales, this collection features a fine mix of old sci-fi and mystery/suspense stories, from the obscure but brilliant (Julian May's Dune Roller) to the often-anthologized and brilliant (John Cheever's The Enormous Radio) to the simply brilliant (Franz Kafka's In The Penal Colony). With the exception of new stories from Brian Evenson, China Melville, Benjamin Percy and E. Lily Lu, everything in this issue was pulled from anthologies edited by Bradbury or Hitchcock in the 1930's, 40's or 50's. Also included, and of particular delight, are the original introductions. Hitchcock's introduction is predictably brief and droll and familiar in tone to his TV intros, while Bradbury's is a hidden little gem, a paean to the revitalizing powers of stories, which offer the reader "that sense of living on the margin of impossibility." Once I opened this compendium of classic tales, I found it nigh impossible to put down, and I continued reading and reading late into the night, repeatedly convincing myself that I could read one more story before bed, just one more. - Ryan Callahan
Watching two moderately known British actor/comedians eat a series of meals throughout the English countryside doesn't seem like that great of a concept for a TV show or movie. At least that's what I thought until I saw The Trip. Originally a television mini-series on the BBC, in 2010 it was re-edited into a single feature-length movie for American audiences. The movie stars Steve Coogan and Rob Brydon as exagerrated versions of themselves, hired to travel to multiple fancy restaurants throughout northern England. The two spend most of the meals doing their excellent celebrity impressions and riffing on pop culture, but the movie also explores Coogan's character's inflated sense of self and struggle to be a good father, as well as Brydon's desire to be at home with his family rather than out doing celebrity things. But it's the chemistry between the two that makes the movie/show work.
Outside of perhaps remembering his part as the Director in Tropic Thunder or as the lead role in Hamlet 2, some of you may be hearing of Steve Coogan for the first time recently, as he was nominated for Best Adapted Screenplay for Philomena in this year's Academy Awards. In my list of comedic heroes, Coogan is pretty high up there. I've watched just about everything he's done, including some unfortunate movie choices. Anything featuring his Alan Partridge character is a must watch. All of his talents are on display in The Trip, and it's interesting to see him, even fictionally, comment on his career. Brydon I was only familiar with thanks to Tristram Shandy: A Cock and Bull Story (also starring Coogan and directed by Michael Winterbottom, who also directed The Trip), but all it took was watching him share one meal with Coogan and I was on board. I would say more about the movie, but it would it would be as entertaining as having someone describe someone's impression or joke later. Better to just watch. And if you can, I highly recommend finding the original BBC show, as much was cut out before releasing it as a film for American audiences. RUNNER UP PICK: The 9/11 Commission Report - Nick Scott