What We're Loving: Robots, Vagaries, Wise Bloods, Pretentious Stabbings, Our Own Work

Each Friday, DCH performers, teachers, and students offer their recommendations for what to watch, read, see, hear, or experience. This week David Allison has his childrens' names picked out, Sarah Wyatt finds a book that's better than people, Jonda Robinson lowers the age mean, Brittany Smith sees white men finally get their due, and Ryan Callahan has a sketch show to plug.  Cleatus2_2012111112064234_600_400It’s football season, but who cares? I mean, who wants to watch a bunch of millionaire jocks hit each other until they’re concussed? Wait, cancel that rant, I love the NFL. With that said, the main thing that I’m excited for isn’t football, it’s the NFL on FOX intro.

The glory of the introduction animation for NFL football on the FOX network isn’t one specific thing; it’s two. First, the theme song. Think about the coolest you’ve ever felt in your life. Maybe you finally got that guy/gal to go out with you, picked up some cool new sunglasses, or were walking away from a giant burning building. Take that feeling, that emotion, add snare drums and an electronic orchestra and you’ve got the theme song.

The other half of the wonder of the NFL on FOX intro comes to us in the form of a dancing robot named Cleatus. Whoa, that’s a lot to breakdown. First of all, yes this means that FOX continues to love animated dancing after previous showing off it’s affection with the dancing baby on Ally McBeal. Second, yes the name of the robot is Cleatus and I would hope no one apologizes for it because the name makes me want to have an army of children, just so I can name them all Cleatus.

Whether you watch football or not, that’s your call. But taking in the NFL on FOX intro should be mandatory viewing every fall for every person on every planet. - David Allison

_panther booksI’ve been really bad about reading lately. I mean really bad. I’ve probably read, like, two books in the last year, which is especially awful because I used to work at a library and regularly knock out a book a week. I got back in the habit (Sister Act 2) this past week when I read Demian, by Herman Hesse. Woah, y'all. This book blew my mind a little.

It’s like an adult version of Catcher in the Rye. It’s full of universal feelings and moments of transcendence that, if we are lucky, we all feel at some point in our adolescence, young adult life, and beyond. Demian is the story of a young man, Sinclair, and his travels and experiences throughout his young life, always feeling pulled and pushed towards something bigger than himself.

To say that I enjoyed this book is putting it mildly. I loved this book. This book made me turn away from the internet, from socializing, and burrowed its way into myself and made me feel something truly special, something I hadn’t felt in a long time. I felt absorbed. I gave myself wholly over to reading a book and imagining the world inside of it and it was awesome.

I’m writing in vagaries because I wish that each and every one of you who read this (thank you) comes to it as open as I did. It’s a short book and so worth your time. If you’ve been looking to get back into reading, if you’ve been looking to feel something, if you’ve been looking to have your mind blow, boy did you come to the right comedy blog post. - Sarah Wyatt

DIH_0This week I’d like to introduce you to a little place in Dallas that I enjoy, The Dallas Institute of Humanities and Culture.  Because I live my life like I’m 67 instead of 27, I’ve spent way more time at this Uptown address on Routh Street than I have at any of the hip bars and restaurants that neighbor it.

The mission of The Dallas Institute is “to enrich and deepen the practical life of the city with the wisdom and imagination of the humanities.”  Here are some of my favorite things about it:

1. Dr. Louise Cowan is a Dallas treasure. This awesome 97-year-old lady helped found The Institute in 1980, and in 1991 she won the Frankel Prize (now known as the National Humanities Medal), which gives her something in common with Toni Morrison, Eudora Welty, and Steven Spielberg.  If you ever have the opportunity to hear her speak on any topic, I suggest you listen up.

2. It’s a great place to get your learn on. The Institute offers classes in which you can dive deeper into a piece of literature or learn about specific topics. (If you’re a teacher, you can get big discounts, and there is even a Summer Institute you can attend.)

3. The wine is always flowing, and the snacks are always delicious. If you attend a class at The Institute in the evening, you’ll get a side of wine and brownie bites to go with your studies.

4. It’s the perfect place to wear a blazer. Maybe it’s just me, but I’ll take any opportunity I can find to wear a blazer and pretend I’m Liz Lemon.

5. You’ll most likely bring the average age of the group down substantially. And hey, you could probably learn a thing or two from your elders.

If you’re looking to learn a little and meet some interesting people, check out their upcoming classes and events. I would be taking their Flannery O’Connor class on Thursdays this month, but I am a part of a sketch show called Charles Dicken's Great! Expectations. running each Thursday in September at 8:00pm at Dallas Comedy House…*wink* - Jonda Robinson

FrankThis past weekend I saw Frank, the tale of a white guy who saw something cool and sought out to make it his. Not exactly uncharted waters, narrative-wise, (see National Treasure, 500 Days of Summer, the founding of the United States), but it makes for a charming two hours nevertheless.

Our protagonist, Jon (Domhnall [actual first name, not a collection of syllables] Gleeson), stumbles upon a band in crisis and fills in at keyboard when their band mate attempts to drown himself in the ocean. From there Jon and the audience are introduced to Frank (Michael Fassbender), the charismatic and paper-machè masked leader of the group. Jon is immediately taken with Frank and his world and wants to be a part of the fun.

This is a mistake I have certainly made on stage, you see your friends out there having a blast and you devise a way to insert yourself into the madness. And as anyone knows who has tried this, it rarely works. Jon learns this the hard way and comes out the other side a man much different than the one we met at the top of the film. The film also meditates on the origins of creative talent and the value of likeability, which I know all sounds quite pretentious, but it goes down easy with a fun cremation mix-up and stabbing scene. - Brittany Smith

10649706_754258354815_8449199643302227645_nThere's no subtle way to go about this, so I shall be frank. I'm plugging my own stuff this week. Specifically I'm plugging Charles Dicken's Great. Expectations., the all-new sketch revue that runs every Thursday night in September at 8PM. (Get your tickets now.)

Charles Dicken's Great! Expectations. is the first sketch revue written and performed entirely by students of the DCH sketch program. Previous shows that came out of the program featured a series of stand alone monologues, or a bunch of scenes, but this show ties all the elements together in one thematically whole show. And it features an excessive amount of needless punctuation in the title.

This is actually a dual plug. I'm plugging the show itself, which we have spent months working on, under the instruction and direction of Nick Scott, and which we are very proud of and hope you enjoy, AND I'm plugging the sketch program in general. If you have ever considered, even remotely, signing up for sketch class, I highly suggest you do it.

Sketch offers the opportunity to dig into a scene and create the best comedy possible. I appreciate the way the format allows me to hone my performance, to try different phrasing and cadence  to see what works the best. For a writer like myself, sketch offers the chance to tie things together in a way that I don't always get with improv. All those ideas I get on the drive home: "I should have shown emotion instead of talking about it," or "That scene would have killed if it had more references to one-term presidents from the 1920's,"are now in play. Sketch offers the chance to do it again, and get it right this time. In a way, it's like having a mini time machine, only without the fear of accidentally landing on Hitler and being forced to take his place as some sort of new Hitler. - Ryan Callahan